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"url": "https://anthologiagraeca.org/api/texts/459/?format=api",
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"text": "\n θάλλοι τετρακόρυμβος, Ἀνάκρεον, ἀμφὶ σὲ κισσός,\nἁβρά τε λειμώνων πορφυρέων πέταλα:\n πηγαὶ δ᾽ ἀργινόεντος ἀναθλίβοιντο γάλακτος,\nεὐῶδες δ᾽ ἀπὸ γῆς ἡδὺ χέοιτο μέθυ,\n\n ὄφρα κέ τοι σποδιή τε καὶ ὀστέα τέρψιν ἄρηται,\nεἰ δή τις φθιμένοις χρίμπτεται εὐφροσύνα.\n"
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"text": "Let the four-clustered ivy, Anacreon, flourish\naround you, and the tender flowers of the purple\nmeadows, and let fountains of white milk bubble up,\nand sweet-smelling wine gush from the earth, so that\nyour ashes and bones may have joy, if indeed any\ndelight touches the dead."
},
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"url": "https://anthologiagraeca.org/api/texts/461/?format=api",
"language": "fra",
"text": "Puisse, Anacréon, fleurir autour de toi la lierre en quadruple \ncorymbe et les molles pétales de prairies empourprées ;\nqu'y jaillisent des fontaines de lait candide, et qu'une terre\nodorante y verse un vin suave, pour que ta cendre et tes os \nen tirent du plaisir, si quelque contentement peut toucher les\nmorts."
},
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"url": "https://anthologiagraeca.org/api/texts/12489/?format=api",
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"text": "L'edera a quattro corimbi, di prati purpurei corolle\r\nti fioriscano attorno, Anacreonte,\r\nsprizzino fonti d'argento di latte, un vino soave\r\nodoroso s'effonda dalla terra,\r\nsì che le ceneri tue ne ricavino gusto e le ossa,\r\nseppure i morti alcuna gioia tocca."
}
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"# genre 7.23\n\n Libation (spondē) was an important part the ancient Greek religion, and more specifically, of the funerary rituals. Libation consisted of pouring milk, wine, honey, water or oil to the dead. "
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"url": "https://anthologiagraeca.org/api/texts/462/?format=api",
"language": "grc",
"text": "\n ὦ τὸ φίλον στέρξας, φίλε, βάρβιτον, ὦ σὺν ἀοιδᾷ\n πάντα διαπλώσας καὶ σὺν ἔρωτι βίον.\n"
},
{
"url": "https://anthologiagraeca.org/api/texts/463/?format=api",
"language": "eng",
"text": "O beloved who did love the clear lute, O you\nwho did sail through your whole life with song\nand with love."
},
{
"url": "https://anthologiagraeca.org/api/texts/464/?format=api",
"language": "fra",
"text": "O toi qui chérissais ta lyre amie, ami, ô toi qu'accompagnèrent \net le chant et l'amour dans toute la traversée de la vie . . . "
},
{
"url": "https://anthologiagraeca.org/api/texts/12490/?format=api",
"language": "ita",
"text": "Caro, che amasti la cetra sì cara, e col canto e l'amore\r\nil pelago solcasti della vita..."
}
],
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{
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{
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"language": "fra"
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{
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{
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"name": "Anacreon",
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"created_at": "2020-10-27T21:30:59Z",
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"title": "Codex Palatinus 23 p. 211",
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"texts": [
{
"url": "https://anthologiagraeca.org/api/texts/465/?format=api",
"language": "grc",
"text": "\n Ἡμερὶ πανθέλκτειρα, μεθυτρόφε, μῆτερ ὀπώρας,\n οὔλης ἣ σκολιὸν πλέγμα φύεις ἕλικος,\n Τηίου ἡβήσειας Ἀνακρείοντος ἐπ᾽ ἄκρῃ\n στήλῃ καὶ λεπτῷ χώματι τοῦδε τάφου,\n\n ὡς ὁ φιλάκρητός τε καὶ οἰνοβαρὴς φιλοκώμοις\nπαννυχίσιν κρούων τὴν φιλόπαιδα χέλυν,\n κἠν χθονὶ πεπτηὼς, κεφαλῆς ἐφύπερθε φέροιτο\n ἀγλαὸν ὡραίων βότρυν ἀπ᾽ ἀκρεμόνων,\nκαί μιν ἀεὶ τέγγοι νοτερὴ δρόσος, ἧς ὁ γεραιὸς\n\n λαρότερον μαλακῶν ἔπνεεν ἐκ στομάτων.\n"
},
{
"url": "https://anthologiagraeca.org/api/texts/466/?format=api",
"language": "eng",
"text": "O vine who sooth all, nurse of wine, mother\nof the grape, you who do put forth your web of\ncurling tendrils, flourish green in the fine soil and\nclimb up the pillar of the grave of Teian Anacreon ; \nthat he, the reveller heavy with the wine, playing all\nthrough the night on his lad-loving lyre, may even as\nhe lies low in earth have the glorious ripe clusters\nhanging from the branches over his head, and that\nhe may be ever steeped in the dew that scented\nthe old man's tender lips so sweetly. "
},
{
"url": "https://anthologiagraeca.org/api/texts/467/?format=api",
"language": "fra",
"text": "Vigne qui charmes tout, mère du fruit qui nourrit l'ivresse,\ntoi de qui naît le tortueux réseau des vrilles en spirale,\npuisses-tu grandir au sommet de la stèle du Téien Anacréon\nsur la tertre léger de cette sépulture. Ne faut-il pas que l'ami\ndu vin, l'ami des fêtes, qui, au plein de ta liqueur, animait des\nnuits entières la lyre amoureuse des garçons, porte, même\ncouché dans la terre, au-dessus de sa tête la grappe brillante\npendant d'une belle ramure? Qu’éternellement l'inonde une\nrosée humide, moins suave que ce que faisait entendre le\nvieillard de sa bouche délicate."
},
{
"url": "https://anthologiagraeca.org/api/texts/12491/?format=api",
"language": "ita",
"text": "Vite che affascini, madre di frutti che nutri l'ebbrezza,\r\ncon le tue spire attorte di viticci,\r\nabbi in cima alla stele vigore, sul tumulo lieve\r\ndel poeta di Teo, d'Anacreonte.\r\nPossa l'amante del vino, dell'orgia, quell'ebbro che a notte\r\nvibrò la cetra di ragazzi amica,\r\nanche caduto sotterra, sull'alto del capo godersi\r\nun bel racemo pendulo dai rami,\r\nsempre un rorido umore lo bagni: più dolce fu quello\r\nch'esalò dalla bocca molle il vecchio."
}
],
"authors": [
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"names": [
{
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{
"name": "Simónides de Ceos",
"language": "spa"
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{
"name": "Simonide",
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{
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{
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"manuscript_url": " http://digi.ub.uni-heidelberg.de/iiif/2/cpgraec23%3A212.jpg/pct:27.265499676869887,17.966501104863152,60.730392323081595,15.717237308146395/full/0/default.jpg",
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"created_at": "2020-10-28T20:21:50Z",
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"title": "Codex Palatinus 23 p. 212",
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"url": "https://anthologiagraeca.org/api/texts/471/?format=api",
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"text": "\n ξεῖνε, τάφον παρὰ λιτὸν Ἀνακρείοντος ἀμείβων,\nεἲ τί τοι ἐκ βίβλων ἦλθεν ἐμῶν ὄφελος,\nσπεῖσον ἐμῇ σποδιῇ σπεῖσον γάνος, ὄφρα κεν οἴνῳ\n ὀστέα γηθήσῃ τἀμὰ νοτιζόμενα,\n\n ὡς ὁ Διωνύσου μεμελημένος εὐάσι κώμοις,\nὡς ὁ φιλακρήτου σύντροφος ἁρμονίης\n μηδὲ καταφθίμενος Βάκχου δίχα τοῦτον ὑποίσω\n τὸν γενεῇ μερόπων χῶρον ὀφειλόμενον.\n"
},
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"text": "Stranger who pass by the simple tomb of Anacreon,\nif any profit came to you from my books,\npour on my ashes, pour some drops, that my bones\nmay rejoice refreshed with wine, that I who delighted\nin the loud-voiced revels of Dionysus, I who\ndwelt amid such music as loves wine, even in death\nmay not suffer without Bacchus my sojourn in this\nland to which all the sons of men must come."
},
{
"url": "https://anthologiagraeca.org/api/texts/473/?format=api",
"language": "fra",
"text": "Étranger, quand tu passes devant l'humble sépulture\nd'Anacréon, si de mes livres il t'est venu quelque profit, une\nlibation à ma cendre, une libation de claire liqueur, pour\nque le vin égaie mes os de sa rosée ! Ainsi, moi qui n'eus pour\nsouci que les joyeuses fêtes de Dionysos, moi qui vécus au\nmilieu des harmonies amies du vin, je ne serai pas, même\ndéfunt, séparé de Bacchos pour habiter cette région où doit\nvenir toute la race des humains."
},
{
"url": "https://anthologiagraeca.org/api/texts/12493/?format=api",
"language": "ita",
"text": "Ospite, d'Anacreonte la tomba modesta rasenti:\r\nse dai miei libri a te profitto venne, \r\nliba alle ceneri, liba liquore, ché traggano l'ossa\r\ndallo spruzzo del vino un'allegria.\r\nCura non ebbi se non dell'orgiastiche feste di Bacco\r\ne d'armonie del vino amiche vissi:\r\nch'io neppure da morto secluso da Bacco sopporti\r\nil luogo fatto per l'umana specie."
}
],
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{
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{
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{
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{
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{
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{
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{
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},
{
"url": "https://anthologiagraeca.org/api/keywords/122/?format=api",
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{
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{
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{
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}
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},
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{
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{
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{
"name": "Gêneros",
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}
},
{
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{
"name": "Evolutiones litterales",
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{
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{
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}
},
{
"url": "https://anthologiagraeca.org/api/keywords/172/?format=api",
"names": [
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{
"name": "Evolutiones litterales",
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{
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}
},
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{
"name": "Evolutiones litterales",
"language": "lat"
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{
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{
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"number": 1,
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{
"book": 7,
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],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/107/?format=api",
"descriptions": [
"# genre 7.18\n\n There is a clear juxtaposition here between the tomb's simplicity \nand the sophistication of Alcman's poetry."
],
"languages": [
"eng"
]
},
{
"url": "https://anthologiagraeca.org/api/comments/108/?format=api",
"descriptions": [
"# genre 7.23\n\n Libation (spondē) was an important part the ancient Greek religion, and more specifically, of the funerary rituals. Libation consisted of pouring milk, wine, honey, water or oil to the dead. "
],
"languages": [
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}
],
"external_references": [
{
"title": "Georges Brassens, supplique pour être enterré à la plage de Sète (1966)",
"url": "https://www.youtube.com/watch?v=iS46IzvCemI"
},
{
"title": "Manon Bril, Le vin et la mort - Dionysos, le relooking mythologique#5 (2017)",
"url": "https://www.youtube.com/watch?v=dj-3IhbI7Zk"
},
{
"title": "Titian, Bacchanal of the Andrians (1526)",
"url": "https://commons.wikimedia.org/wiki/File:Titian_Bacchanal_1523_1524.jpg"
},
{
"title": "Pablo Picasso, Bacchanale (1955)",
"url": "https://www.centrepompidou.fr/cpv/resource/cBe7X6/rKeLy4"
}
],
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"url": "https://anthologiagraeca.org/api/manuscripts/297/?format=api",
"created_at": "2020-10-28T20:37:00Z",
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"texts": [
{
"url": "https://anthologiagraeca.org/api/texts/474/?format=api",
"language": "grc",
"text": "\n εἴης ἐν μακάρεσσιν, Ἀνάκρεον, εὖχος Ἰώνων,\n μήτ᾽ ἐρατῶν κώμων ἄνδιχα, μήτε λύρης:\n ὑγρὰ δὲ δερκομένοισιν ἐν ὄμμασιν οὖλον ἀείδοις,\nαἰθύσσων λιπαρῆς ἄνθος ὕπερθε κόμης,\n\n ἠὲ πρὸς Εὐρυπύλην τετραμμένος, ἠὲ Μεγιστῆ,\nἢ Κίκονα Θρῃκὸς Σμερδίεω πλόκαμον,\n ἡδὺ μέθυ βλύζων, ἀμφίβροχος εἵματα Βάκχῳ,\nἄκρητον λείβων νέκταρ ἀπὸ στολίδων.\n τρισσοῖς γάρ, Μούσαισι, Διωνύσῳ καὶ Ἔρωτι,\n\n πρέσβυ, κατεσπείσθη πᾶς ὁ τεὸς βίοτος.\n\n "
},
{
"url": "https://anthologiagraeca.org/api/texts/475/?format=api",
"language": "eng",
"text": "Anacreon, glory of Ionia, may you among the\ndead be not without your beloved revels, or without\nyour lyre, and still may you sing with swimming\neyes, shaking the entwined flowers that rest on your\nessenced hair, turned towards Eurypyle, or Megisteus,\nor the locks of Thracian Smerdies, spouting sweet\nwine, your robe drenched with the juice of the grape,\nwringing untempered nectar from its folds. For all\nyour life, O old man, was poured out as an offering to\nthese three, the Muses, Bacchus, and Love."
},
{
"url": "https://anthologiagraeca.org/api/texts/476/?format=api",
"language": "fra",
"text": "Puisses-tu parmi les bienheureux, Anacréon, honneur de\nl'Ionie, n'être privé ni d'aimables banquets ni de lyre.\nPuisses-tu, un regard languissant dans les yeux, roucouler\nune chanson en agitant une fleur au-dessus de ta chevelure\nbrillante, tourné soit vers Eurypylê, soit vers Mégisteus, soit\nvers les boucles ciconiennes du Thrace Smerdiès, ruisselant\nde vin suave, les vêtements tout humides de Bacchos, faisant,\ndes plis pressés de la tunique, sortir le nectar pur. Car à\ncette trinité : les Muses, Dionysos, Amour, ta vie entière, ô\nvieillard, ne fut qu'une longue libation."
},
{
"url": "https://anthologiagraeca.org/api/texts/12494/?format=api",
"language": "ita",
"text": "Vanto di Ioni, laggiù tra i beati né l'orgia diletta\r\nné la cetra ti manchi, Anacreonte.\r\nPossa, con languidi occhi, struggenti canzoni cantare-\r\nbaluginando sui capelli un fiore-\r\nverso Eurípile il viso volgendo, verso Megiste,\r\no verso i traci boccoli di Smerdi,\r\nin un rigoglio di vino soave, tra madide vesti,\r\npretto spicciando il nèttare da pieghe.\r\nVecchio, non altro per te fu la vita che un solo libame\r\na un terzetto: le Muse, Bacco, Amore."
}
],
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{
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{
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},
{
"name": "Antipatro di Sidone",
"language": "ita"
},
{
"name": "Antipater Sidonius",
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{
"name": "Antípatro de Sídon",
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{
"name": "Metra",
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{
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{
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}
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}
},
{
"url": "https://anthologiagraeca.org/api/keywords/4/?format=api",
"names": [
{
"name": "époque hellénistique",
"language": "fra"
},
{
"name": "epoca ellenistica",
"language": "ita"
},
{
"name": "hellenistic period",
"language": "eng"
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],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/4/?format=api",
"names": [
{
"name": "Époques",
"language": "fra"
},
{
"name": "Periods",
"language": "eng"
},
{
"name": "Tempora",
"language": "lat"
},
{
"name": "Periodi",
"language": "ita"
},
{
"name": "Épocas",
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}
]
}
},
{
"url": "https://anthologiagraeca.org/api/keywords/9/?format=api",
"names": [
{
"name": "Muses",
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}
],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/7/?format=api",
"names": [
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{
"name": "Deities",
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},
{
"name": "Divinitates",
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},
{
"name": "Divinità",
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},
{
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}
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}
},
{
"url": "https://anthologiagraeca.org/api/keywords/12/?format=api",
"names": [
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"name": "Anacreon",
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}
],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/6/?format=api",
"names": [
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{
"name": "Quoted poets",
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{
"name": "Poetae memorati",
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{
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},
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"url": "https://anthologiagraeca.org/api/keywords/75/?format=api",
"names": [
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"category": {
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"text": "You sleep among the dead, Anacreon, your\ngood day's labour done ; your sweet lyre that talked\nall through the night sleeps too. And Smerdies\nsleeps, the spring-tide of the Loves, to whom striking\nthe lyre, you made music like to nectar. For\nyou were the target of Love, the Love of lads, and\nto shoot you alone he had a bow and subtle archer craft."
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"text": "\n Σμερδίῃ ὦ ἐπὶ Θρῃκὶ τακεὶς καὶ ἐπ᾽ ἔσχατον ὀστεῦν,\nκώμου καὶ πάσης κοίρανε παννυχίδος,\n\n τερπνότατε Μούσῃσιν Ἀνάκρεον, ὦ πὶ Βαθύλλῳ\n χλωρὸν ὑπὲρ κυλίκων πολλάκι δάκρυ χέας,\n\n αὐτόματαί τοι κρῆναι ἀναβλύζοιεν ἀκρήτου,\n κἠκ μακάρων προχοαὶ νέκταρος ἀμβροσίου;\n αὐτόματοι δὲ φέροιεν ἴον, τὸ φιλέσπερον ἄνθος,\n κῆποι, καὶ μαλακῇ μύρτα τρέφοιτο δρόσῳ:\nὄφρα καὶ ἐν Δηοῦς οἰνωμένος ἁβρὰ χορεύσῃς,\n\n βεβληκὼς χρυσέην χεῖρας ἐπ᾽ Εὐρυπύλην.\n"
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"text": "O Anachreon, delight of the Muses, lord of all\nrevels of the night, you who were melted to the\nmarrow of your bones for Thracian Smerdies, O you\nwho often bending over the cup did shed warm tears\nfor Bathyllus, may founts of wine bubble up for you\nunbidden, and streams of ambrosial nectar from the \ngods ; unbidden may the gardens bring you violets,\nthe flowers that love the evening, and myrtles grow\nfor you nourished by tender dew, so that even in\nthe house of Demeter you may dance delicately\nin your cups, holding golden Eurypyle in your arms."
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"text": "Tu che Smerdi di Tracia struggeva fino al midollo,\r\nsire di serenate e di veglioni,\r\nAnacreonte alle Muse diletto, che vivido pianto\r\nsulle coppe versasti per Batillo,\r\nsprizzino naturalmente per te fontane di vino,\r\nnèttare ambrosio degli dèi fluisca,\r\ndai viridari il fiore che ama la sera, la viola,\r\nnasca e crescano i mirti alla rugiada,\r\nsì che persino nel regno di Deo nell'ebbrezza tu danzi,\r\nle mani tese a Eurìpile dorata."
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"# Dioscoride et les poètes \n\n Parmi les quelques 40 épigrammes de Dioscorides, cinq sont sur le théâtre grec: trois poètes de l'époque archaïque et classique (Thepsis, Eschyle, et Sophocle), et deux sur des poètes qui lui sont contemporains, soit Sosithéos et Machon. Dioscoride conçoit ses épigrammes en connection entre eux-mêmes tout en faisant état de l'état du théâtre selon chacun des dramaturges qu'il cite. Pour une étude plus appronfondie de ce phénomène, consultez Nervegna, Sebastiana. “SOSITHEUS AND HIS ‘NEW’ SATYR PLAY.” The Classical Quarterly 69, no. 1 (2019): 202–13"
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"text": "\n ἆ μέγα Βαττιάδαο σοφοῦ περίπυστον ὄνειαρ,\nἦ ῥ᾽ ἐτεὸν κεράων, οὐδ᾽ ἐλέφαντος ἔης.\n τοῖα γὰρ ἄμμιν ἔφηνας, ἅτ᾽ οὐ πάρος ἀνέρες ἴδμεν,\nἀμφί τε ἀθανάτους, ἀμφί τε ἡμιθέους,\n\n εὖτέ μιν ἐκ Λιβύης ἀναείρας εἰς Ἑλικῶνα\n ἤγαγες ἐν μέσσαις Πιερίδεσσι φέρων\nαἱ δ᾽ οἱ εἰρομένῳ ἀμφ᾽ ὠγυγίων ἡρώων\n αἴτια καὶ μακάρων εἶρον ἀμειβόμεναι.\n"
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"text": "Ah ! great and renowned dream of the skilled son\nof Battus, verily you were of horn, not of ivory ; for\nyou did reveal things to us touching the gods and\ndemigods which never man knew before, then when\ncatching him up you did bear him from Libya to\nHelicon, and did set him down in the middle of the\nMuses. And there as he wove the Origins of\nprimeval heroes they in turn wove for him the\nOrigins also of the gods."
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"Page, *Further Greek Epigrams*, p. 157 : \"Ion is not named by Meleager in his *Proem*, and no epigram ascribed to him occurs within an extract from the *Garland*. If the well-known poet Ion of Chios is meant, the epigrams are certainly spurious, for Euripides outlived Ion by a dozen years. Wilamowitz (*Timotheos* 75 n. I), followed by Blumenthal (*Ion von Chios* 64 *cf.* Schmid-Stählin *Gesch. d. gr. Lit.* I.3.I, p. 327 n. 2, and *RE* 9.1867), suggested that the author might be Ion of Samos, who is known only from an inscriptional epigram (*c.* 400 B.C.) which proves him a bitter enemy of Athens; this identification is a blind and unlikely guess, and it is more prudent to suppose that an anonymous epigram has attracted the name of a famous contemporary of Euripides, chronology notwithstanding.\""
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"text": "\n εἰ καὶ δακρυόεις, Εὐριπίδη, εἷλέ σε πότμος,\nκαί σε λυκορραῖσται δεῖπνον ἔθεντο κύνες,\n τὸν σκηνῇ μελίγηρυν ἀηδόνα, κόσμον Ἀθηνῶν,\n τὸν σοφίῃ Μουσέων μιξάμενον χάριτα,\n\n ἀλλ᾽ ἔμολες Πελλαῖον ὑπ᾽ ἠρίον, ὡς ἂν ὁ λάτρις\n Πιερίδων ναίῃς ἀγχόθι Πιερίδων.\n\n "
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"text": "Though a tearful fate befel you, O Euripides,\ndevoured by wolf-hounds, you, the honey-voiced\nnightingale of the stage, the ornament of Athens,\nwho did mingle the grace of the Muses with\nwisdom, yet you were laid in the tomb at Pella,\nthat the servant of the Pierian Muses dwell\nnear the home of his mistress. "
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"text": "Flebile sorte la tua, se di cani che sbranano lupi\r\nl'orrido pasto divenisti, Euripide, \r\ntu della scena usignolo dolcissimo, lustro d'Atene, \r\nche consertasti alla sapienza il bello. \r\nMa nella tomba di Pella calasti, per essere accanto, \r\ndelle Pierie servo, alle Pierie."
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"# Altération du texte\n\n Du fait de son état d'altération avancé, l'épigramme a été considérée inintelligible par certains commentateurs. Sans proposer de traduction, contrairement à Paton, Waltz se lance dans un jeu d'interprétation sur les fragments les plus certains du texte : \n\"Tout ce qu'on peut voir dans les deux derniers vers, c'est que le coup de foudre (si foudre il y a) n'avait laissé subsister \"dans cette sépulture si pleurée\" que \"des ossements muets\", c'est à dire que toute inscription apprenant le nom du mort avait disparu. De plus, ce qui en restait encombrait la voie, donnant \"de la peine (πόνος) à ceux qui passent pas là\". Bien fin qui découvre non seulement un sens, mais même une construction possible à ce qui tient la place du premier distique. Le feu y étant qualifié d'\"artificieux\" (δαιδαλέοιο), on pourrait à la rigueur songer qu'au v. 4 πόνος doit céder la place à πόρος \"passage\". Il serait question d'un \"curieux effet de la foudre\" qui aurait coupé en deux un monument jusque là barrant la route.\" (P. Waltz, 1957)"
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"text": "\n τὴν Εὐριπίδεω μήτ᾽ ἔρχεο, μήτ᾽ ἐπιβάλλου,\n δύσβατον ἀνθρώποις οἶμον, ἀοιδοθέτα.\n λείη μὲν γὰρ ἰδεῖν καὶ ἐπίρροθος: ἢν δέ τις αὐτὴν\n εἰσβαίνῃ, χαλεποῦ τρηχυτέρη σκόλοπος:\n\n ἢν δὲ τὰ Μηδείης Αἰητίδος ἄκρα χαράξῃς,\n ἀμνήμων κείσῃ νέρθεν. ἔα στεφάνους.\n"
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"text": "Thread not, O poet, the path of Euripides, neither\nessay it, for it is hard for man to walk therein.\nSmooth it is to look on, and well beaten, but if one \nsets his foot on it it is rougher than if set with\ncruel stakes. Scratch but the surface of Medea,\nAeetes' daughter, and you shall lie below forgotten.\nHands off his crowns."
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"text": "La route d'Euripide ? N'y marche pas, ne la tente pas.\nVoie difficile aux hommes, poète ! Elle est bien plane à voir\net semée de roses, mais à qui s'y engage, plus rude que la\nronce méchante. Quant à Médée, fille d'Éétès , si tu l'effleures\nd'une égratignure, tu tomberas à terre sans laisser de souvenir.\nLaisse-là les couronnes. "
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"text": "Ardua agli umani la strada di Euripide; non la tentare, \r\nnon volerla percorrere, poeta!\r\nTutta liscia e battuta ti pare, in vista: se v'entri, \r\nscabra è più d'un roccione malagevole. \r\nSe della figlia d'Eeta Medea tu sfiori la storia, \r\ngiacerai nell'oblio. Dei premi, scòrdati!"
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"url": "https://anthologiagraeca.org/api/comments/111/?format=api",
"descriptions": [
"# Fausse attribution à Archimède\n\n Bien que le manuscrit de l'Anthologie Palatine nous donne Archimède comme auteur de cette épigramme, cela semble peu probable. Waltz propose plutôt l'attribution à Archimélos, épigrammiste du IIIe siècle av. J.-C., et et que ce dernier ait été confondu avec Archimède."
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"url": "https://anthologiagraeca.org/api/texts/558/?format=api",
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"text": "\n οὔ σε κυνῶν γένος εἷλ᾽, Εὐριπίδη, οὐδὲ γυναικὸς\nοἶστρος, τὸν σκοτίης Κύπριδος ἀλλότριον,\n ἀλλ᾽ Ἀίδης καὶ γῆρας: ὑπαὶ Μακέτῃ δ᾽ Ἀρεθούσῃ\n κεῖσαι, ἑταιρείῃ τίμιος Ἀρχέλεω.\n\n σὸν δ᾽ οὐ τοῦτον ἐγὼ τίθεμαι τάφον, ἀλλὰ τὰ Βάκχου\n βήματα καὶ σκηνὰς ἐμβάδ᾽ ^ ἐρειδομένας.\n"
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"text": "Neither dogs slew you, Euripides, nor the rage of\nwomen, you enemy of the secrets of Cypris, but\nDeath and old age, and under Macedonian Arethusa\nyou lie, honoured by the friendship of Archelaus.\nYet it is not this that I account your tomb, but the \naltar of Bacchus and the buskin-trodden stage."
},
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"url": "https://anthologiagraeca.org/api/texts/560/?format=api",
"language": "fra",
"text": "Non, ce n'est ni la race des chiens qui t'a emporté, \nEuripide, ni la fureur d'une femme, étranger que tu fus à la\nCypris de l'ombre, c'est Hadès et la vieillesse. Au pied de\nl'Aréthuse macédonniene tu reposes, honoré par l'amitié\nd'Archélaos. Mais ton tombeau, pour moi, n'est pas celui-ci ;\nce sont les journées consacrées à Bacchus et les scènes que\nfrappe le cothurne tragique."
},
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"language": "ita",
"text": "Né mascella di cani t'uccise, né febbre di donna\r\n(da occulti amori alieno fosti), Euripide, \r\nma la vecchiezza. Dov'è l'Aretusa macedone giaci; \r\nt'onorò l'amicizia d'Archelao.\r\nMa non è qui la tua tomba: tu sei sui palchi di Bacco, \r\nsei sulle scene che il coturno squassa."
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"url": "https://anthologiagraeca.org/api/texts/566/?format=api",
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"url": "https://anthologiagraeca.org/api/texts/13050/?format=api",
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"# genre 7.23\n\n Libation (spondē) was an important part the ancient Greek religion, and more specifically, of the funerary rituals. Libation consisted of pouring milk, wine, honey, water or oil to the dead. "
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"url": "https://anthologiagraeca.org/api/texts/573/?format=api",
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"text": "\n ἦν ἄρα Δημοκρίτοιο γέλως τόδε, καὶ τάχα λέξει:\n\n \n οὐκ ἔλεγον γελόων, Πάντα πέλουσι γέλως;\n\n καὶ γὰρ ἐγὼ σοφίην μετ᾽ ἀπείρονα, καὶ στίχα βίβλων\n\n τοσσατίων, κεῖμαι νέρθε τάφοιο γέλως.\n \n "
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"text": "So this was the cause of Democritus' laughter, and\nperchance he will say, \"Did I not say, laughing, that\nall is laughter ? For even I, after my limitless\nwisdom and the long series of my works, lie beneath\nthe tomb a laughing-stock.\""
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"text": "Eh oui ! ce qui faisait rire Démocrite, c'est ceci, et sans\ndoute il va dire : « N' est-ce pas que mon rire disait : Tout\nest sujet de rire ? Moi-même, en effet, après une science qui\nn'en finissait pas et la file de tant de livres, me voilà gisant\nsous une tombe : de quoi rire ! »"
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"text": "Ecco perché rideva Democrito. Sembra che dica:\r\n<<ridendo dissi o no che tutto è riso?\r\nEcco che io, dopo tanta sapienza e una pila di libri,\r\nsto in un avello, provocando riso>>."
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"url": "https://anthologiagraeca.org/api/texts/576/?format=api",
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"text": "\n καὶ τίς ἔφυ σοφὸς ὧδε; τίς ἔργον ἔρεξε τοσοῦτον,\n ὅσσον ὁ παντοδαὴς ἤνυσε Δημόκριτος;\n\n ὃς θάνατον παρεόντα τρί᾽ ἤματα δώμασιν ἔσχεν,\n καὶ θερμοῖς ἄρτων ἄσθμασιν ἐξένισεν.\n"
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"text": "Who was ever so wise, who wrought such a deed\nas omniscient Democritus, who had Death for three\ndays in his house and entertained him with the hot\nsteam of bread?"
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"language": "fra",
"text": "Ah ! qui au monde fut aussi savant, qui fit une œuvre\naussi grande que celle qu'accomplit en moi l'omniscient\nDémocrite, qui, la mort étant venue à lui, la tint trois jours\ndans sa demeure et l'entretint des fumets de pains chauds ?"
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"language": "ita",
"text": "Tanto sapiente chi fu? Chi d'un'opera simile autore \r\na quella di Democrito onnisciente?\r\nLui, come venne la morte, tre giorni in casa la tenne\r\nospite, al fiato caldo dei panini."
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"text": "\n εἰ καὶ ἀμειδήτων νεκύων ὑπὸ γαῖαν ἀνάσσεις,\n Φερσεφόνη, ψυχὴν δέχνυσο Δημοκρίτου\nεὐμενέως γελόωσαν, ἐπεὶ καὶ σεῖο τεκοῦσαν\n ἀχνυμένην ἐπὶ. σοὶ μοῦνος ἔκαμψε γέλως.\n"
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"text": "\n γαῖα μὲν ἐν κόλποις κρύπτει τόδε σῶμα Πλάτωνος,\n ψυχὴ δ᾽ ἀθάνατον τάξιν ἔχει μακάρων\n\n υἱοῦ Ἀρίστωνος, τόν τις καὶ τηλόθι ναίων\nτιμᾷ ἀνὴρ ἀγαθός, θεῖον ἰδόντα βίον.\n"
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"text": "\n \n α. αἰετέ, τίπτε βέβηκας ὑπὲρ τάφον ; ἢ τίνος, εἰπέ,\nἀστερόεντα θεῶν οἶκον ἀποσκοπέεις;\n\n β. ψυχῆς εἰμι Πλάτωνος ἀποπταμένης ἐς Ὄλυμπον\nεἰκών: σῶμα δὲ γῆ γηγενὲς Ἀτθὶς ἔχει. "
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"text": "« Aigle, pourquoi surmontes-tu cette tombe, ou duquel\ndes dieux, dis-moi, ton regard cherche-t-il la demeure\nétoilée ?\n- Je figure l'âme de Platon, qui s'est envolée dans\nl'Olympe ; le corps, né de la terre, c'est la terre attique qui\nl'a. »"
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"text": "- Aquila, stai sulla tomba: perché? Quale casa stellata,\r\ndi quale dio, da lungi miri? Parla!\r\n- L'anima, già di Platone, volata in Olimpo figuro:\r\nl'attica terra ha il corpo suo di terra."
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"# Imitation par Ausone (*Epit. 31*)\r\n\r\n Dic, canis, hic cuius tumulus ? - Canis. - At canis hic quis ? - Diogenes. - Obiit ? - Non obiit, sed abit. - Diogenes cui pera penus, cui dolia sedes. Ad Manes abiit ? - Cerberus inde vetat. - Quonam igitur ? - Clari flagrat qua stella Leonis. Additus est iustae nunc canis Erigonae."
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"text": "The staff, and wallet, and thick cloak, were the\nvery light burden of wise Diogenes in life. I bring\nall to the ferryman, for I left nothing on earth. But \nyou, Cerberus dog, fawn on me, the Dog."
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"text": "\n Ἀίδεω λυπηρὲ διήκονε, τοῦτ᾽ Ἀχέροντος\nὕδωρ ὃς πλώεις πορθμίδι κυανέῃ,\n δέξαι μ᾽, εἰ καί σοι μέγα βρίθεται ὀκρυόεσσα\nβᾶρις ἀποφθιμένων, τὸν κύνα Διογένην.\n\n ὄλπη μοι καὶ πήρη ἐφόλκια, καὶ τὸ παλαιὸν\n ἔσθος, χὠ φθιμένους ναυστολέων ὀβολός.\n πάνθ᾽ ὅσα κἠν ζωοῖς ἐπεπάμεθα, ταῦτα παρ᾽ Ἅιδαν\n ἔρχομ᾽ ἔχων λείπω δ᾽ οὐδὲν ὑπ᾽ ἠελίῳ.\n"
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"url": "https://www.wikiart.org/en/Search/charon#!#filterName:all-paintings-chronologically,resultType:masonry"
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"text": "Now, three-headed dog, better than ever with thy\nsleepless eyes guard the gate of your fortress, the pit.\nFor if the daughters of Lycambes to avoid the\nsavage bile of Archilochus iambics left the light,\nwill not every soul leave the portals of this dusky\ndwelling, flying from the terror of his slanderous\ntongue?"
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"text": "Cane trigemino, adesso le porte del baratro immane\r\ncon occhi insonni più di prima guarda!\r\nSe, per schivare dei giambi d'Archiloco l'ira selvaggia,\r\nla luce le Licàmbidi lasciarono,\r\nnon lasceranno i defunti le porte d'umbratili sedi,\r\ncercando al trauma degli attacchi scampo?"
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"text": "\n σῆμα τόδ᾽ Ἀρχιλόχου παραπόντιον, ὅς ποτε πικρὴν\nμοῦσαν ἐχιδναίῳ πρῶτος ἔβαψε χόλῳ,\n\n αἱμάξας Ἑλικῶνα τὸν ἥμερον. οἶδε Λυκάμβης,\nμυρόμενος τρισσῶν ἅμματα θυγατέρων.\n\n ἠρέμα δὴ παράμειψον, ὁδοιπόρε, μή ποτε τοῦδε\n κινήσῃς τύμβῳ σφῆκας ἐφεζομένους.\n"
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"text": "Le monument que tu vois près de la mer est celui d' \nArchiloque, qui jadis, le premier, baigna son âpre muse du fiel\nvipérin, ensanglantant l'Helicon débonnaire. Il le sait,\nLycambès, qui pleura sur le lacet de ses trois filles. Tout\ndoucement suis ton chemin, passant, de peur que tu ne mettes\nen mouvement les guêpes posées sur le tombeau du poète."
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"text": "This tomb by the sea is that of Archilochus, who\nfirst made the Muse bitter dipping her in vipers\ngall, staining mild Helicon with blood. Lycambes\nknows it, mourning for his three daughters hanged.\nPass quietly by, O way-farer, lest haply thou arouse\nthe wasps that are settled on his tomb."
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"text": "σῆμα τόδ᾽ Ἀρχιλόχου παραπόντιον, ὅς ποτε πικρὴν\r\nμοῦσαν ἐχιδναίῳ πρῶτος ἔβαψε χόλῳ,\r\n\r\nαἱμάξας Ἑλικῶνα τὸν ἥμερον. οἶδε Λυκάμβης,\r\nμυρόμενος τρισσῶν ἅμματα θυγατέρων.\r\n\r\nἠρέμα δὴ παράμειψον, ὁδοιπόρε, μή ποτε τοῦδε\r\nκινήσῃς τύμβῳ σφῆκας ἐφεζομένους.\r\n\r\n— Paton edition"
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