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"text": "\n \n α. τύμβος ὅδ᾽ ἔστ᾽, ὤνθρωπε, Σοφοκλέος, ὃν παρὰ Μουσέων\n ἱρὴν παρθεσίην, ἱερὸς ὢν, ἔλαχον:\nὅς με τὸν ἐκ Φλιοῦντος, ἔτι τρίβολον πατέοντα,\n πρίνινον, ἐς χρύσεον σχῆμα μεθηρμόσατο,\n \n καὶ λεπτὴν ἐνέδυσεν ἁλουργίδα: τοῦ δὲ θανόντος\n εὔθετον ὀρχηστὴν τῇδ᾽ ἀνέπαυσα πόδα.\n\n \n β. ὄλβιος, ὡς ἁγνὴν ἔλαχες στάσιν ἡ δ᾽ ἐνὶ χερσὶν\n κούριμος, ἐκ ποίης ἥδε διδασκαλίης;\n\n α. εἴτε σοὶ Ἀντιγόνην εἰπεῖν φίλον, οὐκ ἂν ἁμάρτοις,\n\n εἴτε καὶ Ἠλέκτραν ἀμφότεραι γάρ ἄκρον.\n"
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"text": "A. \"This is the tomb of Sophocles which I, his\nholy servant, received from the Muses as a holy\ntrust to guard. It was he who, taking me from\nPhlius where I was carved of holly-oak and still trod\nthe tribulum, wrought me into a creature of gold\nand clothed me in fine purple. On his death I ceased\nfrom the dance and rested my light foot here.\"\n\nB. \"Blessed are you, how excellent your post ! And\nthe mask of a girl in your hand with shaven hair as\nof a mourner, from what play is she ? \" \n\nA. \"Say Antigone if you will, or say Electra ; in either case\nyou are not wrong, for both are supreme.\""
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"text": "« Homme, la tombe que tu vois est celle de Sophocle, que\r\nles Muses m' ont confiée comme un dépot sacré, parce que je\r\nsuis sacré moi-même. C'est lui qui me prit dans Phlionte,\r\nfoulant encore le chardon, figure de bois dont il sut faire\r\nune statue d'or , et qui me revêtit d'un fin tissu de pourpre.\r\nLui mort, j'ai arrêté ici mon pied bien fait pour la danse.\r\n— Heureux être, quel beau poste on t'a donné ! Mais la\r\ntête rase qui est dans tes mains, à quelle pièce appartient-\r\nelle ?\r\n— Que tu veuilles l'appeler Antigone ou bien Électre, tu \r\nne peux mal dire. L'une et l'autre sont le comble de l'art."
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"text": "- Tomba di Sofocle è questa, viandante. Ero sacro, e l'ottenni,\r\ncome consegna sacra, dalle Muse.\r\nIo da Fliunte venivo, calcavo legname da trebbia:\r\negli dorato aspetto mi donò\r\ne d'una porpora fine l'ammanto. Dell'agile danza\r\n- defunto lui - trovai quassù la fine.\r\n-Fortunato! Che bella fermata. Ma il capo rasato\r\nche reggi, a che lavoro si rapporta?\r\n- Di' ch'è un'Antigone, di' ch'è un'Elettra: comunque non sbagli,\r\nché sono entrambe vertici dell'arte."
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"comments": [
{
"description": [
"# Dioscoride et les poètes \n\n Parmi les quelques 40 épigrammes de Dioscorides, cinq sont sur le théâtre grec: trois poètes de l'époque archaïque et classique (Thepsis, Eschyle, et Sophocle), et deux sur des poètes qui lui sont contemporains, soit Sosithéos et Machon. Dioscoride conçoit ses épigrammes en connection entre eux-mêmes tout en faisant état de l'état du théâtre selon chacun des dramaturges qu'il cite. Pour une étude plus appronfondie de ce phénomène, consultez Nervegna, Sebastiana. “SOSITHEUS AND HIS ‘NEW’ SATYR PLAY.” The Classical Quarterly 69, no. 1 (2019): 202–13"
],
"language": [
"fra"
]
},
{
"description": [
"Waltz : Cette épigramme fait la paire avec une autre du même auteur (VII, 707). Wilamowitz a ingénieusement et justement montré (Archaeologischer Anzeiger, XIII, p. 238; Sappho und Simonides, p. 231; Neue Jahrbücher, 1912, p. 465) que le livre d'épigrammes de Dioscoride contenait des illustrations. L'image accompagnant la présente pièce représentait, gardant un tombeau de Sophocle, un satyre qui tenait à la main un masque tragique de femme en deuil. La figure et la posture du Satyre au tombeau de Sosithéos (n° 707) sont tout autres. — C'est le satyre qui parle au passant et répond à ses questions."
],
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"fra"
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}
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