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"text": "\n Αἰθαλέοιο πυρὸς σάρκες ῥιπῇσι τρυφηλαὶ\nληφθεῖσαι, νοτίην ὦσαν ἄπ᾽ αἰθόμεναι:\n μοῦνα δ᾽ ἔνεστι τάφῳ πολυδακρύῳ ὀστέα κωφά,\n καὶ πόνος εἰνοδίοις τῇδε παρερχομένοις.\n"
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"text": "Your delicate flesh encompassed by the blast of\nglowing fire yielded up its moisture and burnt away.\nIn the much-wept tomb is naught but dumb bones,\nand sorrow for the wayfarers who pass this way."
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"text": "Thy delicate flesh encompassed by the blast of glowing fire yielded up its moisture and burnt away. In the much-wept tomb is naught but dumb bones, and sorrow for the wayfarers who pass this way."
},
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"url": "https://anthologiagraeca.org/api/texts/539/?format=api",
"language": "grc",
"text": "Δαιδαλέοιο πυρὸς ῥιπῇσι τρυφηλαὶ σάρκες \nληφθεῖσαι, νοτίην ὦσαν ἄπ᾽ αἰθόμεναι:\nμοῦνα δ᾽ ἔνεστι τάφῳ πολυδακρύῳ ὀστέα κωφά,\nκαὶ πόνος εἰνοδίοις τῇδε παρερχομένοις."
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"url": "https://anthologiagraeca.org/api/texts/12450/?format=api",
"language": "ita",
"text": "Vinte da colpi di fuoco celeste, le tenere carni\r\ndivampando scrollarono l'umore, \r\nNel lacrimato sepolcro non resta che un cumulo d'ossa\r\nmute - passa il viandante e se n'accora."
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"comments": [
{
"description": [
"# Altération du texte\n\n Du fait de son état d'altération avancé, l'épigramme a été considérée inintelligible par certains commentateurs. Sans proposer de traduction, contrairement à Paton, Waltz se lance dans un jeu d'interprétation sur les fragments les plus certains du texte : \n\"Tout ce qu'on peut voir dans les deux derniers vers, c'est que le coup de foudre (si foudre il y a) n'avait laissé subsister \"dans cette sépulture si pleurée\" que \"des ossements muets\", c'est à dire que toute inscription apprenant le nom du mort avait disparu. De plus, ce qui en restait encombrait la voie, donnant \"de la peine (πόνος) à ceux qui passent pas là\". Bien fin qui découvre non seulement un sens, mais même une construction possible à ce qui tient la place du premier distique. Le feu y étant qualifié d'\"artificieux\" (δαιδαλέοιο), on pourrait à la rigueur songer qu'au v. 4 πόνος doit céder la place à πόρος \"passage\". Il serait question d'un \"curieux effet de la foudre\" qui aurait coupé en deux un monument jusque là barrant la route.\" (P. Waltz, 1957)"
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