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"text": "\n αὐτοῦ μοι στέφανοι παρὰ δικλίσι ταῖσδε κρεμαστοὶ\n μίμνετε, μὴ προπετῶς φύλλα τινασσόμενοι,\nοὓς δακρύοις κατέβρεξα: κάτομβρα γὰρ ὄμματ᾽ ἐρώντων\n ἀλλ᾽, ὅταν οἰγομένης αὐτὸν ἴδητε θύρης,\n\n στάξαθ᾽ ὑπὲρ κεφαλῆς ἐμὸν ὑετόν, ὡς ἂν % ἄμεινον\n ἡ ξανθή γε κόμη τἀμὰ πίῃ δάκρυα.\n\n "
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"text": "\n Ὀξυβόαι κώνωπες, ἀναιδέες, αἵματος ἀνδρῶν\n σίφωνες, νυκτὸς κνώδαλα διπτέρυγα,\n βαιὸν Ζηνοφίλαν, λίτομαι, πάρεθ᾽ ἥσυχον ὕπνον\nεὕδειν, τἀμὰ δ᾽ ἰδοὺ σαρκοφαγεῖτε μέλη,\n\n καίτοι πρὸς τί μάτην αὐδῶ; καὶ θῆρες ἄτεγκτοι\n τέρπονται τρυφερῷ χρωτὶ χλιαινόμενοι.\n ἀλλ᾽ ἔτι νῦν προλέγω, κακὰ θρέμματα, λήγετε τόλμης,\nἢ γνώσεσθε χερῶν ζηλοτύπων δύναμιν.\n"
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"text": "Ye shrill-voiced mosquitoes, ye shameless pick, suckers of men's blood, Night's winged beasts of prey, let Zenophila, I beseech ye, sleep a little in peace, and come and devour these my limbs. But why do I supplicate in vain ? Even pitiless wild beasts rejoice in the warmth of her tender body. But I give ye early warning, cursed creatures : no more of this audacity, or ye shall feel the strength of jealous hands."
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"text": "\n Πταίης μοι, κώνωψ, ταχὺς ἄγγελος, οὔασι δ᾽ ἄκροις\nΖηνοφίλας ψαύσας προσψιθύριζε τάδε:\nἄγρυπνος \n μίμνει σε: σὺ δ᾽, ὦ λήθαργε φιλούντων,\n\n εὕδεις.\n εἶα, πέτευ; ναί, φιλόμουσε, πέτευ:\n\n ἥσυχα δὲ φθέγξαι, μὴ καὶ σύγκοιτον ἐγείρας\nκινήσῃς ἐπ᾽ ἐμοὶ ζηλοτύπους ὀδύνας,\nἢν δ᾽ ἀγάγῃς τὴν παῖδα, δορᾷ στέψω σε λέοντος,\n κώνωψ, καὶ δώσω χειρὶ φέρειν ῥόπαλον.\n"
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"text": "Fly for me, mosquito, swiftly on my message, and lighting on the rim of Zenophila's ear whisper thus into it : \"He lies awake expecting thee, and thou sleepest, Ο thou sluggard, who forgettest those who love thee.\" Whrr ! away ! yea, sweet piper, away ! But speak lowly to her, lest thou awake her companion of the night and arouse jealousy of me to pain her. But if thou bringest me the girl, I will hood thy head, mosquito, with the lion's skin and give thee a club to carry in thy hand."
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"text": "Prends-moi ton vol, cousin, sois mon rapide messager et, effleurant à peine l’oreille de Zénophila, murmure-lui ces mots : « Il ne dort pas, lui, il t’attend ; et toi, oublieuse de ceux qui t’aiment, tu dors ! » Hop, vole ; allons, musicien, vole. Mais parle-lui tout bas de peur de réveiller aussi son compagnon de lit, dont tu déchaînerais à mon sujet le jaloux ressentiment. Si tu m’amènes ma petite amie, je te ceindrai d’une peau de lion, cousin, et te donnerai à la main une massue à porter. \n"
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"text": "Nicarete's sweet face, bathed by the Loves, peeping often from her high casement, was blasted, dear Cypris, by the flame that lightened from the sweet blue eyes of Cleophon, standing by her door. "
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"text": "\n Εὐφρὼ καὶ Θαῒς καὶ Βοίδιον, αἱ Διομήδους\nγραῖαι, ναυκλήρων ὁλκάδες εἰκόσοροι,\nἎγιν καὶ Κλεοφῶντα καὶ Ἀνταγόρην, ἕν᾽ ἑκάστη,\n γυμνούς, ναυηγῶν ἥσσονας, ἐξέβαλον.\n\n ἀλλὰ σὺν αὐταῖς νηυσὶ τὰ λῃστρικὰ τῆς Ἀφροδίτης\n φεύγετε: Σειρήνων αἵδε γὰρ ἐχθρότεραι.\n"
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"text": "\n ἡ λαμυρὴ μ᾽ ἔτρωσε Φιλαίνιον εἰ δὲ τὸ τραῦμα\nμὴ σαφές, ἀλλ᾽ ὁ πόνος δύεται εἰς ὄνυχα.\n οἴχομ᾽, Ἔρωτες, ὄλωλα, διοίχομαι: εἰς γὰρ ἑταίραν\n νυστάζων ἐπέβην, οἶδ᾽, ἔθιγον τ᾽ Ἀίδα.\n"
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"text": "Cruel Philaenion has bitten me ; though the bite does not show, the pain reaches to my finger-tips. Dear Loves, I am gone, 'tis over with me, I am past hope ; for half- asleep I trod upon a whore, I know it, and her touch was death. "
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"text": "La dévorante Philainion m’a blessé ; la blessure a beau ne pas se voir, la douleur me pénètre pourtant jusqu’aux ongles. C’en est fait, Amours, je suis perdu, je suis mort ; j’ai mis étourdiment le pied sur une vipère et voici que je descends chez Hadès. "
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"text": "Ἡ λαμυρὴ μ᾽ ἔτρωσε Φιλαίνιον· εἰ δὲ τὸ τραῦμα\r\nμὴ σαφές, ἀλλ᾽ ὁ πόνος δύεται εἰς ὄνυχα.\r\nΟἴχομ᾽, Ἔρωτες, ὄλωλα, διοίχομαι· εἰς γὰρ ἔχιδναν\r\nνυστάζων ἐπέβην, ἠδ᾽ἔθιγον τ᾽ Ἀίδα."
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"text": "\n Ἀνθοδίαιτε μέλισσα, τί μοι χροὸς Ἡλιοδώρας\n ψαύεις, ἐκπρολιποῦς1᾽ εἰαρινὰς κάλυκας;\nἦ σύ γε μηνύεις ὅτι καὶ γλυκὺ καὶ δυσύποιστον,\n πικρὸν ἀεὶ κραδίᾳ, κέντρον Ἔρωτος ἔχει;\n\n ναὶ δοκέω, τοῦτ᾽ εἶπας. ἰώ, φιλέραστε, παλίμπους\n στεῖχε: πάλαι τὴν σὴν οἴδαμεν ἀγγελίην.\n\n "
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"text": "Ο flower-nurtured bee, why dost thou desert the buds of spring and light on Heliodora's skin ? Is it that thou wouldst signify that she hath both sweets and the sting of Love, ill to bear and ever bitter to the heart ? Yea, meseems, this is what thou sayest. \" Off with thee back to thy flowers, thou flirt ! It is stale news thou bringest me.\" "
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"language": "fra",
"text": "Toi qui vis de fleurs, abeille, pourquoi toucher à la chair de mon Héliodora, laissant là les corolles du printemps ? Est-ce que tu veux nous rappeler qu’elle porte, elle aussi, à la fois doux et toujours piquant au cœur, l’aiguillon d’Éros aux flèches cruelles ? Oui, je crois, c’est ce que tu voulais dire. Hélas ! amie des amants, rebrousse chemin : voici longtemps déjà que nous la savons, ta nouvelle ! "
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"text": "\n νύξ: σὲ γὰρ οὐκ ἄλλην μαρτύρομαι, οἷά μ᾽ ὑβρίζει\n Πυθιὰς ἡ Νικοῦς, οὖσα φιλεξαπάτις:\n κληθείς, οὐκ ἄκλητος, ἐλήλυθα. ταὐτὰ παθοῦσα\nσοὶ μέμψαιτ᾽ ἔτ᾽ ἐμοῖς στᾶσα παρὰ προθύροις,\n"
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"text": "Night, for I call thee alone to witness, look how shamefully Nico's Pythias, ever loving to deceive, treats me. I came at her call and not uninvited. May she one day stand at my door and complain to thee that she suffered the like at my hands. "
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"text": "O nuit, car je ne veux d’autre témoin que toi, avec quelle insolence me traite Pythias, la fille de Nikô, une créature qui se plaît à tromper ! C’est invité par elle, bien invité, que je suis venu. Victime du même affront, puisse-t-elle t’adresser un jour ses plaintes, plantée devant mon vestibule ! "
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"text": "\n ἓν τόδε, παμμήτειρα θεῶν, λίτομαί σε, φίλη Νύξ,\n ναὶ λίτομαι, κώμων σύμπλανε, πότνια Νύξ,\nεἴ τις ὑπὸ χλαίνῃ βεβλημένος Ἡλιοδώρας\n θάλπεται, ὑπναπάτῃ χρωτὶ χλιαινόμενος,\n\n κοιμάσθω μὲν λύχνος: ὁ δ᾽ ἐν κόλποισιν ἐκείνης\n ῥιπτασθεὶς κείσθω δεύτερος Ἐνδυμίων.\n"
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"text": "Mother of all the gods, dear Night, one thing I beg, yea I pray to thee, holy Night, companion of my revels. If some one lies cosy beneath Heliodora's mantle, warmed by her body's touch that cheateth sleep, let the lamp close its eyes and let him, cradled on her bosom, lie there a second Endymion."
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"url": "https://anthologiagraeca.org/api/texts/4162/?format=api",
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"text": "Une seule grâce, Mère de tous les dieux, je t’en supplie, ô Nuit mon amie, oui, je t’en supplie, compagne de nos joyeuses orgies, auguste Nuit : si quelqu’un, allongé sous la couverture d’Héliodora, s’y réchauffe à la tiédeur d’une chair qui trompe le sommeil, que la lampe s’endorme et que lui-même, dans les bras de la belle qui aura beau le secouer, reste inerte comme un second Endymion"
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"text": "Mère de tous les dieux, douce Nuit, je t'implore,\r\nToi complice longtemps de mes bruyants plaisirs !\r\nSi quelqu'un prend ma place auprès d'Héliodore,\r\nFais qu'il échoue, ô Nuit, en ses sombres désirs,\r\nEt tel Endymion, marbre plutôt que chair,\r\nQu'il dorme sans jouir du corps qui m'est si cher."
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"text": "Amada Noite, mãe de todos os deuses, eu te suplico por apenas uma coisa, sim, eu suplico, venerável Noite, companheira de folias, que se um outro, tendo se enfiado embaixo das cobertas de Heliodora e ali se esquentando com o corpo enganador do sono de Heliodora, e assim se mantém aquecido, que a lâmpada o faça dormir e que ele, agitando-se sem parar no colo dela, durma como um segundo Endymion."
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"url": "https://anthologiagraeca.org/api/texts/4163/?format=api",
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"text": "\n ὦ Νύξ, ὦ φιλάγρυπνος ἐμοὶ πόθος Ἡλιοδώρας,\n καὶ † σκολιῶν ὄρθρων κνίσματα δακρυχαρῆ,\nἆρα μένει στοργῆς ἐμὰ λείψανα, καὶ τὸ φίλημα\nμνημόσυνον ψυχρᾷ θάλπετ᾽ ἐν εἰκασίᾳ;\n\n ἆρά γ᾽ ἔχει σύγκοιτα τὰ δάκρυα, κἀμὸν ὄνειρον\n ψυχαπάτην στέρνοις ἀμφιβαλοῦσα φιλεῖ;\nἢ νέος ἄλλος ἔρως, νέα παίγνια; μήποτε, λύχνε,\n ταῦτ᾽ ἐσίδῃς, εἴης δ᾽ ἧς παρέδωκα φύλαξ.\n"
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{
"url": "https://anthologiagraeca.org/api/texts/4164/?format=api",
"language": "eng",
"text": "Ο night, Ο longing for Heliodora that keepest me awake, Ο tormenting visions of the dawn full of tears and joy, is there any relic left of her love for me ? Is the memory of my kiss still warm in the cold ashes of fancy ? Has she no bed-fellow but her tears and does she clasp to her bosom and kiss the cheating dream of me ? Or is there another new love, new dalliance ? Mayst thou never look on this, dear lamp ; but guard her well whom I committed to thy care. "
},
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"url": "https://anthologiagraeca.org/api/texts/4165/?format=api",
"language": "fra",
"text": "O Nuit, ô désir d’Héliodora qui me tiens les yeux ouverts, et toi, croupe frétillante dont le souvenir cuisant m’arrache des larmes, dites, garde-t-elle quelques débris de mon amour ? Et dans une froide image, reste-t-il au moins la chaleur du souvenir d’un baiser ? Dites, a-t-elle, comme moi, les larmes pour compagnes de lit, et mon fantôme qui vient abuser son âme, l’étreint-elle contre sa poitrine et sur ses lèvres ? Ou bien a-t-elle un nouvel amour ? Jamais, ô lampe, n’éclaire ces nouveaux ébats ; mais celle que je t’ai confiée, garde-la-moi. "
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"url": "https://anthologiagraeca.org/api/texts/14570/?format=api",
"language": "grc",
"text": "ὦ Νύξ, ὦ φιλάγρυπνος ἐμοὶ πόθος Ἡλιοδώρας,\r\nκαὶ σκολιῶν ὄρρων κνίσματα δακρυχαρῆ,\r\nἆρα μένει στοργῆς ἐμὰ λείψανα, καὶ τι φίλημα\r\nμνημόσυνον ψυχρᾷ θάλπετ᾽ ἐν εἰκασίᾳ;\r\nἎρά γ᾽ ἔχει σύγκοιτα τὰ δάκρυα κἀμὸν ὄνειρον\r\nψυχαπάτην στέρνοις ἀμφιβαλοῦσα φιλεῖ;\r\nἢ νέος ἄλλος ἔρως; Νέα παίγνια μήποτε, λύχνε,\r\nταῦτ᾽ ἐσίδῃς, εἴης δ᾽ ἧς παρέδωκα φύλαξ."
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"url": "https://anthologiagraeca.org/api/texts/14571/?format=api",
"language": "por",
"text": "Ó Noite, ó meu amor insone por Heliodora\r\ne as discussões chorosas de tumultuadas manhãs passadas, \r\npor acaso permanecem restos do meu amor \r\ne a lembrança de um beijo aquece a fria imagem?\r\nOra, por acaso ela tem as lágrimas como amantes\r\ne aperta contra o peito e ama uma ilusão minha que engana a alma?\r\nOu já tem um novo outro amor? Jamais, lâmpada, \r\nveja essas novas brincadeiras, mas seja guardiã daquela que anteriormente eu te dei."
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"text": "It was night, it was raining, and, love's third burden, I was in wine ; the north wind blew cold and I was alone. But lovely Moschus overpowered all. \" Would thou didst wander so, and didst not rest at one door.\" So much I exclaimed there, drenched through. \" How long Zeus ? Peace, dear Zeus ! Thou too didst learn to love.\""
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"text": "Ὑετὸς ἦν καὶ νύξ, καὶ τὸ τρίτον ἄλγος ἔρωτι,\r\nοἶνος· καὶ Βορέης ψυχρός, ἐγὼ δὲ μόνος.\r\nἈλλ᾽ ὁ καλὸς Μόσχος πλέον ἴσχυεν. « Αἴ σὺ γὰρ οὕτως\r\nἤλυες, οὐδὲ θύρην πρὸς μίαν ἡσύχασας. »\r\nΠαιδὶ τοσοῦτ᾽ ἐβόησα βεβρεγμένος. Ἄχρι τίνος, Ζεῦ;\r\nΖεῦ φίλε, σίγησον, καὐτὸς ἐρᾶν ἔμαθες."
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"# Moschos\n\n Affirme Waltz sur l’extrait : « Passage assez obscur et très controversé : la plupart des critiques (Ludwich, etc.) voient dans Moschos un rival heureux du poète. D’autres, comme Piccolos, trouvent dans ce mot un nom commun (=génisse) désignant sa maîtresse. Stadtmüller croit qu’il s’agit d’un jeune homme courtisé par le poète et qui l’a mis à la porte ; l’amant déçu formule alors contre lui les mêmes imprécations que Callimaque contre Conopion (V, 23). En tout cas, le texte de cette épigramme est mutilé et paraît présenter des lacunes. » "
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"text": "\n καὶ πυρὶ καὶ νιφετῷ με καί, εἰ βούλοιο, κεραυνῷ\n βάλλε, καὶ εἰς κρημνοὺς ἕλκε καὶ εἰς πελάγη:\n τὸν γὰρ ἀπαυδήσαντα πόθοις καὶ Ἔρωτι δαμέντα\nοὐδὲ Διὸς τρύχει πῦρ ἐπιβαλλόμενον.\n"
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"text": "Hurl fire and snow upon me, and if thou wilt, strike me with thy bolt, or sweep me to the cliffs or to the deep. For he who is worn out by battle with Desire and utterly overcome by Love, feels not even the blast of Jove's fire. \n"
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"text": "Que le feu, que la neige et, si tu veux, que la foudre me frappe ! Jette-moi dans les précipices ou dans les flots ! Celui qu’ont épuisé les désirs et qu’Éros a dompté, le feu même de Zeus ne peut l’anéantir les coups. \n"
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"text": "\n ἡδὺ θέρους διψῶντι χιὼν ποτόν ἡδὺ δὲ ναύταις\nἐκ χειμῶνος ἰδεῖν εἰαρινὸν ζέφυρον:\nἥδιον δ᾽ ὁπόταν κρύψῃ] μία τοὺς φιλέοντας\n χλαῖνα, καὶ αἰνῆται Κύπρις ὑπ᾽ ἀμφοτέρων.\n"
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"text": "Sweet in summer a draught of snow to him who thirsts, and sweet for sailors after winter's storms to feel the Zephyr of the spring. But sweeter still when one cloak doth cover two lovers and Cypris hath honour from both "
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"text": "Il est doux, l’été, à qui souffre de la soif, de l’étancher avec de la neige ; il est doux aux marins, au sortir de l’hiver, de voir la Couronne du printemps ; mais bien plus doux encore aux amoureux de s’abriter sous la même couverture et de célébrer ensemble Cypris ! "
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"text": "\n ἅδιον οὐδὲν ἔρωτος, ἃ δ᾽ ὄλβια, δεύτερα πάντα\nἐστὶν ἀπὸ στόματος δ᾽ ἔπτυσα καὶ τὸ μέλι.\nτοῦτο λέγει Νοσσίς: τίνα δ᾽ ἁ Κύπρις οὐκ ἐφίλασεν,\nοὐκ οἶδεν κήνα γ᾽ ἄνθεα ποῖα ῥόδα.\n\n "
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"text": "\n οἶδ᾽ ὅτι μοι κενὸς ὅρκος, ἐπεὶ σέ γε τὴν φιλάσωτον\n μηνύει μυρόπνους ἀρτιβρεχὴς πλόκαμος,\n μηνύει δ᾽ ἄγρυπνον ἰδοὺ βεβαρημένον ὄμμα,\n καὶ σφιγκτὸς στεφάνων ἀμφὶ κόμαισι μίτος:\n\n ἔσκυλται δ᾽ ἀκόλαστα πεφυρμένος ἄρτι κίκιννος,\n πάντα δ᾽ ὑπ᾽ ἀκρήτου γυῖα σαλευτὰ φαρεῖς.\n ἔρρε, γύναι πάγκοινε: καλεῖ σε γὰρ ἡ φιλόκωμος\nπηκτὶς καὶ κροτάλων χειροτυπὴς πάταγος.\n"
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"text": "I know thy oath is void, for they betray thy wantonness, these locks still moist with scented essences. They betray thee, thy eyes all heavy for want of sleep, and the garland's track all round thy head. Thy ringlets are in unchaste disorder all freshly touzled, and all thy limbs are tottering with the wine. Away from me, public woman ; they are calling thee, the lyre that loves the revel and the clatter of the castanets rattled by the fingers."
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"text": "Je sais ; à quoi bon de vains serments, puisque te voilà, débauchée, dénoncée par tes tresses encore humides du parfum qu’elles exhalent ? dénoncée, vois, par ton œil qu’alourdit l’insomnie, par ces couronnes dont le lien enserre ta chevelure ? Et le désordre tout récent de tes boucles lascivement emmêlées, et tous tes membres que le vin fait chanceler ? Va-t’en, fille publique : l’amie des orgies, la harpe t’appelle, ainsi que, dans les mains où ils s’entrechoquent, le claquement des crotales. "
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"text": "\n δεινὸς Ἔρως, δεινός. τί δὲ τὸ πλέον, ἢν πάλιν εἴπω,\n καὶ πάλιν, οἰμώζων πολλάκι, δεινὸς Ἔρως ;\n ἦ γὰρ ὁ παῖς τούτοισι γελᾷ, καὶ πυκνὰ κακισθεὶς\nἥδεται: ἢν δ᾽ εἴπω λοίδορα, καὶ τρέφεται.\n\n θαῦμα δέ μοι, πῶς ἆρα διὰ γλαυκοῖο φανεῖσα\nκύματσς, ἐξ ὑγροῦ, Κύπρι, σὺ πῦρ τέτοκας.\n"
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"text": "Dreadful is Love, dreadful ! But what avails it though I say it again and yet again and with many a sigh, \" Love is dreadful \" ? For verily the boy laughs at this, and delights in being ever reproached, and if I curse, he even grows apace. It is a wonder to me, Cypris, how thou, who didst rise from the green sea, didst bring forth fire from water. "
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"text": "Terrible Éros, terrible ! Mais à quoi bon dire encore et redire avec mille gémissements : « Terrible Éros » ? À coup sûr l’enfant en rit, ces invectives répétées l’amusement et, si je lui dis des injures, il se repaît même de mes insultes. C’est pour moi un mystère qu’ayant surgi de l’élément humide à travers les vagues étincelantes, Cypris, tu aies pu donner naissance à du feu. "
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"text": "\n κηρύσσω τὸν ἔρωτα, τὸν ἄγριον ἄρτι γὰρ ἄρτι\n ὀρθρινὸς ἐκ κοίτας ᾤχετ᾽ ἀποπτάμενος.\n ἔστι δ᾽ ὁ παῖς γλυκύδακρυς, ἀείλαλος, ὠκύς, ἀθαμβής,\n σιμὰ γελῶν, πτερόεις νῶτα, φαρετροφόρος.\n\n πατρὸς δ᾽ οὐκέτ᾽ ἔχω φράζειν τίνος: οὔτε γὰρ Αἰθήρ,\nοὐ Χθών φησι τεκεῖν τὸν θρασύν, οὐ Πέλαγος:\n πάντῃ γὰρ καὶ πᾶσιν ἀπέχθεται. ἀλλ᾽ ἐσορᾶτε\nμή που νῦν ψυχαῖς ἄλλα τίθησι λίνα.\n καίτοι κεῖνος, ἰδού, περὶ φωλεόν. οὔ με λέληθας,\n\n τοξότα, Ζηνοφίλας ὄμμασι κρυπτόμενος.\nιι. ξ. βεεξηινγ, `ν α γαρδεν, π. ιος.\n \n "
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"text": "The town-crier is supposed to speak \nLost ! Love, wild Love ! Even now at dawn he went his way, taking wing from his bed. The boy is thus, — sweetly-tearful ever chattering, quick and impudent, laughing with a sneer, with wings on his back, and a quiver slung on it. As for his father's name I can't give it you ; for neither Sky nor Earth nor Sea confess to the rascal's parentage. For every-where and by all he is hated ; but look to it in case he is setting now new springes for hearts. But wait ! there he is near his nest ! Ah ! little archer, so you thought to hide from me there in Zenophila's eyes ! "
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"text": "Je fais publier le signalement d’Éros le vaurien : à l’instant même, ce matin, il a quitté ma couche à tire d’ailes. C’est un enfant aux larmes douces, toujours babillant, leste, intrépide, riant d’un nez retroussé, des ailes au dos, portant carquois. Quel est son père ? je n’en sais plus rien : ni le Ciel ni la Terre ne veulent avoir donné le jour au mutin, pas plus que l’Océan, car partout et à tous il est odieux. Prenez garde qu’il n’aille maintenant, ici ou là, tendre encore ses pièges à vos âmes. Mais le voici, tenez, tout près du gîte. Je te vois, petit archer, tu as beau te cacher dans les yeux de Zénophila. "
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"text": "Convoco Éros, o selvagem; precisamente agora, \r\nele fugiu da cama com seu vôo matinal.\r\nEle é o menino de lágrimas agridoces, falante, ágil, destemido, \r\nde riso fácil, as costas aladas carregando uma aljava. \r\nE ninguém sabe indicar quem é o pai; pois nem o céu, \r\nnem a terra dizem ter gerado o traquina, tampouco o mar. \r\nPois por toda parte e por todos ele é odiado; mas estejam atentos \r\npara que agora não ele não capture outros com sua rede de almas. \r\nCertamente é ele, veja, ao redor da caverna. Tu não me escapas, \r\narqueiro, te escondendo nos olhos de Zenóphila."
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"url": "https://anthologiagraeca.org/api/texts/4197/?format=api",
"language": "grc",
"text": "\n Πωλείσθω, καὶ ματρὸς ἔτ᾽ ἐν κόλποισι καθεύδων,\n πωλείσθω. τί δέ μοι τὸ θρασὺ τοῦτο τρέφειν;\nκαὶ γὰρ σιμὸν ἔφυ καὶ ὑπόπτερον, ἄκρα δ᾽ ὄνυξιν\n κνίζει, καὶ κλαῖον πολλὰ μεταξὺ γελᾷ:\n\n πρὸς δ᾽ ἔτι λοιπὸν ἄθρεπτον, ἀείλαλον, ὀξὺ δεδορκός,\n ἄγριον, οὐδ᾽ αὐτῇ μητρὶ φίλῃ τιθασὸν\n πάντα τέρας, τοιγὰρ πεπράσεται. εἴ τις ἀπόπλους\n ἔμπορος ὠνεῖσθαι παῖδα θέλει, προσίτω.\n καίτοι λίσσετ᾽, ἰδού, δεδακρυμένος. οὒ ς1᾽ ἔτι πωλῶ:\n\n θάρσει: Ζηνοφίλᾳ σύντροφος ὧδε μένε,\n"
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"text": "Sell it ! though it is still sleeping on its mother's breast. Sell it ! why should I bring up such a little devil ? For it is snub-nosed, and has little wings, and scratches lightly with its nails, and while it is crying often begins to laugh. Besides, it is impossible to suckle it ; it is always chattering and has the keenest of eyes, and it is savage and even its dear mother can't tame it. It is a monster all round ; so it shall be sold. If any trader who is just leaving wants to buy a baby, let him come hither. But look ! it is supplicating, all in tears. Well ! I will not sell thee then. Be not afraid ; thou shalt stay here to keep Zenophila company."
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"language": "fra",
"text": "Qu’on le vend, bien qu’endormi encore sur le sein de sa mère ; qu’on le vende. Pourquoi nourrir cet effronté-là ? Il est né camard et ailé, ses ongles font de profondes égratignures et souvent au milieu des larmes il éclate de rire. Par-dessus le marché têtu, babillard, l’œil perçant, sauvage, intraitable même pour sa mère : un monstre fini. Donc il sera vendu. Si, prenant la mer, un marchand veut acheter un enfant, qu’il s’avance. Mais quoi ! voyez-le, qui supplie tout en larmes. Non, je ne te vends plus ; rassure-toi, reste ici, tu vivras avec Zénophila. "
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"text": "Πωλείσθω, καὶ ματρὸς ἔτ᾽ ἐν κόλποισι καθεύδων·\r\nπωλείσθω. Τί δέ μοι τὸ θρασὺ τοῦτο τρέφειν;\r\nΚαὶ γὰρ σιμὸν ἔφυ καὶ ὑπόπτερον· ἄκρα δ᾽ ὄνυξιν\r\nκνίζει, καὶ κλαῖον πολλὰ μεταξὺ γελᾷ·\r\nπρὸς δ᾽ ἔτι λοιπὸν ἄτρεπτον, ἀείλαλον, ὀξὺ δεδορκός,\r\nἄγριον, οὐδ᾽ αὐτῇ μητρὶ φίλᾳ τιθασὸν·\r\nπάντα τέρας. Τοιγὰρ πεπράσεται. Εἴ τις ἀπόπλους\r\nἔμπορος ὠνεῖσθαι παῖδα θέλει, προσίτω.\r\nΚαίτοι λίσσετ᾽, ἰδού, δεδακρυμένος. Οὒ ς᾽ ἔτι πωλῶ·\r\nθάρσει· Ζηνοφίλᾳ σύντροφος ὧδε μένε."
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"text": "Venda! Mas ele ainda dorme no colo da mãe ...\r\nVenda! Por que cabe a mim alimentar esse travesso?\r\nOra, ele nasceu narigudo e alado.\r\nEle arranha profundamente com as unhas e, enquanto chorava bastante, ele ri.\r\nE ainda por cima, permanece subnutrido, balbuciante, de olhar agudo e selvagem. \r\nNem por sua própria amada mãe foi domesticado. \r\nCompletamente uma besta selvagem. Logo, será negociado. \r\nSe algum comerciante navegante deseja comprar a criança, que se aproxime!\r\nAgora pronto, eis que ele suplica enquanto chora. \r\nNão te vendo ainda, tenha confiança. Fique, e assim será companheiro de Zenófila."
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"text": "\n ναὶ τὰν Κύπριν, Ἔρως, φλέξω τὰ σὰ πάντα πυρώσας,\n τόξα τε καὶ Σκυθικὴν ἰοδόκον φαρέτρην\n φλέξω, ναί, τί μάταια γελᾷς, καὶ σιμὰ σεσηρὼς\n μυχθίζεις; τάχα που σαρδάνιον γελάσεις.\n\n ἦ γάρ σευ τὰ ποδηγὰ Πόθων ὠκύπτερα κόψας,\nχαλκόδετον σφίγξω σοῖς περὶ ποσσὶ πέδην.\nκαίτοι Καδμεῖον κράτος οἴσομεν, εἴ σε πάροικον\nψυχῇ συζεύξω, λύγκα παρ᾽ αἰπολίοις.\n ἀλλ᾽ ἴθι, δυσνίκητε, λαβὼν δ᾽ ἔπι κοῦφα πέδιλα\n\n ἐκπέτασον ταχινὰς εἰς ἑτέρους πτέρυγας.\n"
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"text": "By Cypris, Love, I will throw them all in the fire, thy bow and Scythian quiver charged with arrows. Yea, I will burn them, by — . Why laugh so sillily and snicker, turning up thy nose ? I will soon make thee laugh to another tune. I will cut those rapid wings that show Desire the way, and chain thy feet with brazen fetters. But a sorry victory shall I gain if I chain thee next my heart, like a wolf by a sheep-fold. No! be off! thou art ill to conquer; take besides these light, winged shoes, and spreading thy swift wings go visit others. "
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"text": "Oui, par Cypris, je brûlerai dans les flammes tout ton attirail, arc, flèches et carquois de Scythie. Je les brûlerai, oui… Pourquoi rire sans raison et pouffer en retroussant ton nez camard ? Bientôt peut-être tu riras jaune. Je vais, ma parole, te couper les ailes dont tu guides les Désirs et te serrer les pieds dans des entraves de bronze. Pourtant, ce sera remporter une victoire à Cadmos que de te garroter dans le voisinage de mon âme, lynx près de l’étable aux chèvres. Va-t’en donc, créature irréductible, prends encore des talonnières ailées et déploie vite ton vol vers d’autres. "
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"text": "Sim, por Cipris! Eros, atirando no fogo, queimarei todas suas coisas!\r\nSim, queimarei seus arcos e sua aljava cita cheia de flechas !\r\nPor que você ri sem motivo e, até respirando pelo nariz por tanto rir, faz troça?\r\nEm breve talvez rirá amargurado.\r\nPois certamente terei cortado suas velozes asas que guiam o Desejo, \r\ne amarrarei ao redor de seus pés algemas de bronze.\r\nEntão, de fato, teremos uma vitória de Cadmo,\r\npois amarrarei você ao lado da alma, um lince entre as cabras.\r\nAgora vá, adversário imbatível, pegue suas leves sandálias\r\nE bata suas ligeiras asas em outros lugares."
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"text": "\n τί ξένον, εἰ βροτολοιγὸς Ἔρως τὰ πυρίπνοα τόξα\n βάλλει, καὶ λαμυροῖς ὄμμασι πικρὰ γελᾷ;\n\n οὐ μάτηρ στέργει μὲν Ἄρη γαμέτις δὲ τέτυκται\nἉφαίστου, κοινὰ καὶ πυρὶ καὶ ξίφεσιν;\n\n ματρὸς δ᾽ οὐ μάτηρ ἀνέμων μάστιξι Θάλασσα\nτραχὺ βοᾷ; γενέτας δ᾽ οὔτε τις οὔτε τινός.\n τοὔνεκεν Ἁφαίστου μὲν ἔχει φλόγα. κύμασι δ᾽ ὀργὰν\n στέρξεν ἴσαν, Ἄρεως δ᾽ αἱματόφυρτα βέλη.\n"
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"text": "What wonder if murderous Love shoots those arrows that breathe fire, and laughs bitterly with cruel eyes ! Is not Ares his mother's lover, and Hephaestus her lord, the fire and the sword sharing her ? And his mother's mother the Sea, does she not roar savagely flogged by the winds ? And his father has neither name nor pedigree. So hath he Hephaestus' fire, and yearns for anger like the waves, and loveth Ares' shafts dipped in blood."
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"text": "Quoi d’étonnant si Éros, le fléau des mortels, lance des traits de feu, si ses yeux sont étincelants et méchant son rire ? Sa mère n’aime-t-elle point Arès et n’est-elle pas l’épouse d’Héphaïstos, se partageant ainsi entre le feu et le fer ? Et la mère de sa mère, n’est-ce pas la Mer qui, sous le fouet des vents, hurle avec sauvagerie ? Quant à son père, c’est… Personne, fils de Personne. Voilà pourquoi d’Héphaïstos il possède les feux ; sa colère, quand il s’emporte, est semblable à celle des flots ; d’Arès, enfin, il a les armes souillées de sang. "
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"text": "\n τῶν † καρίων ἡμῖν λάβε † κώλακας ῾ἀλλὰ πόθ᾽ ἤξεἰ,\n καὶ πέντε στεφάνους τῶν ῥοδίνων. τί τὸ Πάξ;\nοὐ φὴς κέρματ᾽ ἔχειν; διολώλαμεν. οὐ τροχιεῖ τις\n τὸν Λαπίθην; λῃστήν, οὐ θεράποντ᾽ ἔχομεν.\n\n οὐκ ἀδικεῖς; οὐδέν; φέρε τὸν λόγον ἐλθὲ λαβοῦσα,\n Φρύνη, τὰς ψήφους. ὦ μεγάλου κινάδους.\n πέντ᾽ οἶνος δραχμῶν ἀλλᾶς δύο \n ὦτα λέγεις σκόμβροι σησαμίδες, σχάδονες.\n αὔριον αὐτὰ καλῶς λογιούμεθα: νῦν δὲ πρὸς Αἴσχραν\n\n τὴν μυρόπωλιν ἰὼν, πέντε λάβ᾽ ἀργυρέας.\n εἰπὲ δὲ σημεῖον, Βάκχων ὅτι πέντ᾽ ἐφίλησεν\n ἑξῆς, ὧν κλίνη μάρτυς ἐπεγράφετο.\n"
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"text": "Buy us some . . . (but when will he come ?) and five rose wreaths. — Why do you say \"pax \"* ? You say you have no change ! We are ruined ; won't someone string up the Lapith beast ! I have a brigand not a servant. So you are not at fault! Not at all ! Bring your account. Phryne, fetch me my reckoning counters. Oh the rascal ! Wine, five drachmae ! Sausage, two ! ormers you say, mackerel .... honeycombs ! We will reckon them up correctly tomorrow ; now go to Aeschra's perfumery and get five silver bottles (?) Tell her as a token \nthat Bacchon kissed her five times right off\", of which fact her bed was entered as a witness."
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"text": "« Va nous chercher trois chénices de noix (ah ça ! il nous n’arrivera pas) et cinq couronnes, des couronnes de roses. - Mais le.... - Assez ! Tu n’as pas d’argent, dis-tu ? Mort de ma vie ! Il n’y aura personne pour me rouer ce Lapithe ? C’est un filou que nous avons là au lieu d’un serviteur. Tu ne me voles pas ? - Pas du tout. - Apporte ton compte. Viens ça, Phryné, avec des jetons. Ah ! fieffé renard ! Vin, cinq drachmes ; saucisson, deux < .... > et des oreilles, des lièvres, des maquereaux, des gâteaux de sésame, d’autres au miel ! Demain, nous compterons tout cela comme il faut. Pour l’instant, prends cinq pièces d’argent, va chez Aischra, la parfumeuse, et dis-lui comme mot de passe : Bacchon a b… é cinq fois d’affilée et son lit a été cité pour en témoigner. » "
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"text": "« Τρεῖς καρύων ἡμῖν λάβε χοίνικας (ἀλλὰ πόθ᾽ ἤξει;)\r\nκαὶ πέντε στεφάνους τῶν ῥοδίνων. \r\n- Τί, τὸ ...\r\n- Πάξ.\r\nΟὐ φῂς κέρματ᾽ ἔχειν; διολώλαμεν· οὐ τροχιεῖ τις\r\nτὸν Λαπίθην; Λῃστήν, οὐ θεράποντ᾽ ἔχομεν.\r\nΟὐκ ἀδικεῖς; \r\n- Οὐδέν; \r\n- Φέρε τὸν λόγον· ἐλθὲ λαβοῦσα,\r\nΦρύνη, τὰς ψήφους. Ὤ μεγάλου κινάδους·\r\nΠέντ᾽ οἶνος δραχμῶν ἀλλᾶς δύο <...>\r\nὦτα, λαγώς, σκόμβροι, σησαμίδες, σχάδονες.\r\nΑὔριον αὐτὰ καλῶς λογιούμεθα. Νῦν δὲ πρὸς Αἴσχραν\r\nτὴν μυρόπωλιν ἰὼν πέντε λάβ᾽ ἀργυρέας·\r\nεἰπὲ δὲ σημεῖον, Βάκχων ὅτι πέντ᾽ ἐφίλησεν\r\nἑξῆς, ὧν κλίνη μάρτυς ἐπεγράφετο. »"
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"text": "« Pegue três porções de nozes para nós (mas quando será feito?) e cinco coroas de rosas. \r\n- O que? O ... \r\n- Silêncio! Você diz não ter dinheiro? Temos vontade me destruir? Ninguém vai supliciar essa Lápita na roda? Larápia, nós não temos um serva ... Não está enganada?\r\n- Nem um pouco.\r\n- Fique com tuas palavras. Vem, Friné, e pegue as moedas. Ah, grande raposa ... Com cinco dracmas, traga vinho, dois salsichões < ... >, orelhas de porco, uma lebre, cavalinhas, bolos de sésamo e outros de mel. Amanhã facilmente calcularemos o que resta. Agora, pegue cinco moedas de prata e, indo até a bruaca, a vendedora de perfumes, fale a senha: Baco fudeu cinco vezes consecutivas, e sua cama ficou marcada como testemunho. »"
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"descriptions": [
"# Mime et placement au livre 5\n\n Sur les épigrammes 5.181, 5.183 et 5.185, affirme Waltz qu’elles sont des petits mimes. \nPar rapport à l’ajout de 5.181 au livre V, il dit : « et c’est évidemment par analogie avec ces deux pièces [5.183 et 5.185] que, sans avoir rien d’érotique, elle a été incorporée au livre V. » (p. 83). \nDans un autre commentaire sur la même épigramme, Waltz fait la suivante lecture de la fin du texte : « nous sommes cinq buveurs et il nous faut à chacun une femme. » La « parfumeuse » citée à l’épigramme est, selon cette lecture de Waltz, une proxénète. Ainsi, est-ce que l’épigramme n’est pas érotique ? "
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"Os Lápitas (*Λαπίθαι,ῶν* (*οἱ*)) eram um povo da Tessália que, de acordo com a mitologia, foram responsáveis pelo massacre dos centauros. Como forma de castigo, foram condenados a passar a eternidade no suplício da roda. Essa referência acrescenta elementos ao verbo τροχίζω (l. 3). O personagem deseja que sua serva seja castigada da mesma forma que foram os Lápitas.\r\nΦρύνη, que significa sapo, quando utilizado como nome próprio, é uma referência a Friné, renomada hetaira da Atenas clássica. Essa refência levanta uma questão acerca do gênero do personagem do epigrama. É um servo ou é uma serva? O masculino aparece nos substantivos « *θεράπων*» e « *λῃστής* », no artigo em « *τὸν Λαπίθην* » e no particípio « *ἰὼν* ». Contudo, está no feminino em « *λαβοῦσα, Φρύνη,* ». Privilegiando a referência à hetaira, escolhi traduzir para o feminino. Em minha versão, é uma serva. Nesse contexto, o masculino fica reservado para o outro personagem, o mestre da serva, e a seus convivas. A serva, a vendedora de perfumes e as demais hetairas ficam no feminino. Assim, a marcação de gênero desvela também uma estrutura de poder."
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"text": "\n ἄγγειλον τάδε, Δορκάς: ἰδοὺ πάλι δεύτερον αὐτῇ\n καὶ τρίτον ἄγγειλον, Δορκάς, ἅπαντα. τρέχε:\n μηκέτι μέλλε, πέτου — βραχύ μοι, βραχύ, Δορκάς, ἐπίσχες..\n Δορκάς, ποῖ σπεύδεις, πρίν σε τὰ πάντα μαθεῖν;\n\n \n πρόσθες δ᾽ οἷς εἴρηκα πάλαι — μᾶλλον δὲ ῾τί ληρῶ;᾿\n μηδὲν ὅλως εἴπῃς — ἀλλ᾽ ὅτι — πάντα λέγε:\nμὴ φείδου τὰ ἅπαντα λέγειν. καίτοι τί σε Δορκάς,\n ἐκπέμπω, σὺν σοὶ καὐτός, ἰδού, προάγων;\n"
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"text": "Give her this message, Dorcas ; look ! tell her it twice and repeat the whole a third time. Off with you ! don't delay, fly ! — just wait a moment, Dorcas ! Dorcas, where are you off to before I've told you all? Just add to what I told you before — or rather (what a fool I am !) don't say anything at all — only that — Tell her everything, don't hesitate to say everything. But why am I sending you, Dorcas ? Don't you see I am going with you — in front of you ? "
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"text": "« Dis-lui, Dorcas ; n’est-ce pas, deux et trois fois, Dorcas, redis-lui bien tout ; cours, ne tard plus, vole ! … Un instant, Dorcas, attends. Dorcas, où te sauves-tu sans avoir tout entendu ? Ajoute à ce que j’ai déjà dit, ou plutôt… quelle sottise ! Ne dis rien, absolument rien, ou seulement… Non, dis tout, dis tout cela sans épargner rien. Mais pourquoi, Dorcas, t’envoyer, puisque moi aussi, vois, j’y vais avec toi ? » "
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"text": "Dorcas, avisa lá que ... \r\nOlha, Dorcas, pelo contrário, comunique tudo a ela duas ou três vezes. Corre ! Não mais hesites, voa !\r\nMedíocre, sou um medíocre, Dorcas. Espera, Dorcas, onde vais com tanta pressa antes de eu te fazer compreender todas as coisas ?\r\nAcrescenta aquilo que eu havia falado antes, e principalmente que ...\r\nPor que faço besteiras? Não fales absolutamente nada, mas que ...\r\nDiz tudo a ela, não se abstenhas de tudo falar.\r\nOra, Dorcas, por que eu estou te enviando se eu também estou indo contigo?"
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"text": "\n τέσσαρες οἱ πίνοντες: ἐρωμένη ἔρχεθ᾽ ἑκάστῳ:\n ὀκτὼ γινσμένοις ἓν Χίον οὐχ ἱκανόν.\nπαιδάριον, βαδίσας πρὸς Ἀρίστιον, εἰπὲ τὸ πρῶτον\n ἡμιδεὲς πέμψαι: χοῦς γὰρ ἄπεισι δύο\n\n ἀσφαλέως: οἶμαι δ᾽ ὅτι καὶ πλέον. ἀλλὰ τρόχαζε:\nὥρας γὰρ πέμπτης πάντες ἀθροιζόμεθα.\n"
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"text": "We are four at the party, and each brings his mistress ; since that makes eight, one jar of Chian is not enough. Go, my lad, to Aristius and tell him the first he sent was only half full ; it is two gallons short certainly ; I think more. But look sharp, for \nwe all meet at five."
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"text": "Quatre buveurs, et chacun amène sa maîtresse ; pour huit que nous sommes, un Chios ne suffit-il pas ? Esclave, va chez Aristion, dis que pour commencer on nous en envoie un à moitié plein : cela nous fera deux conges, largement, et même, je crois, davantage. Allons, cours, car à la cinquième heure toute la compagnie sera là. "
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"# Mime et placement au livre 5\n\n Sur les épigrammes 5.181, 5.183 et 5.185, affirme Waltz qu’elles sont des petits mimes. \nPar rapport à l’ajout de 5.181 au livre V, il dit : « et c’est évidemment par analogie avec ces deux pièces [5.183 et 5.185] que, sans avoir rien d’érotique, elle a été incorporée au livre V. » (p. 83). \nDans un autre commentaire sur la même épigramme, Waltz fait la suivante lecture de la fin du texte : « nous sommes cinq buveurs et il nous faut à chacun une femme. » La « parfumeuse » citée à l’épigramme est, selon cette lecture de Waltz, une proxénète. Ainsi, est-ce que l’épigramme n’est pas érotique ? "
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"url": "https://anthologiagraeca.org/api/texts/4215/?format=api",
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"text": "\n ἔγνων, οὒ μ᾽ ἔλαθες: τί θεούς; οὐ γάρ με λέληθας:\n ἔγνων μηκέτι νῦν ὄμνυε: πάντ᾽ ἔμαθον.\nταῦτ᾽ ἦν, ταῦτ᾽, ἐπίορκε; μόνη σὺ πάλιν, μόνη ὑπνοῖς;\nὦ τόλμης καὶ νῦν, νῦν ἔτι φησί, μόνη.\n\n \n οὐχ ὁ περίβλεπτός σε Κλέων; κἂν μὴ τί δ᾽ ἀπειλῶ;\n ἔρρε, κακὸν κοίτης θηρίον, ἔρρε τάχος.\n καίτοι σοι δώσω τερπνὴν χάριν οἶδ᾽ ὅτι βούλει\n κεῖνον ὁρᾶν αὐτοῦ δέσμιος ὧδε μένε.\n"
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"url": "https://anthologiagraeca.org/api/texts/4216/?format=api",
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"text": "I know it ; you did not take me in ; why call on the gods ? I have found you out ; I am certain ; don't go on swearing you didn't ; I know all about it. That was what it was then, you perjured girl ! Once more you sleep alone, do you, alone ? Oh her brazen impudence ! still she continues to say \"Alone.\" Did not that fine gallant Cleon, eh ? — and if not he — but why threaten ? Away with you, get out double quick, you evil beast of my bed ! Nay but I shall do just what will please you best ; I know you long to see him ; so stay where you are my prisoner. "
},
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"url": "https://anthologiagraeca.org/api/texts/4217/?format=api",
"language": "fra",
"text": "Je suis au courant, tu n’as pas pu me tromper ; à quoi bon invoquer les dieux ? non, tu ne m’as pas trompé, je suis au courant ; plus de serments maintenant, je sais tout ; voilà donc l’histoire, parjure, la voilà ? Toi, coucher seule, tu le répètes, seule ? quelle audace ! Maintenant, maintenant encore, elle l’affirme : seule ! Le célèbre Cléon ne te… et si… mais pourquoi des menaces ? Va-t’en, triste gibier de lit, va-t’en vite. Mais ce sera te faire là une agréable faveur, car je sais que tu veux le revoir ; reste donc ici prisonnière. "
}
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{
"url": "https://anthologiagraeca.org/api/texts/4218/?format=api",
"language": "grc",
"text": "\n εἰς ἀγορὰν βαδίσας, Δημήτριε, τρεῖς παρ᾽ Ἀμύντου\n γλαυκίσκους αἴτει, καὶ δέκα φυκίδια:\n\n καὶ κυφὰς καρῖδας （ἀριθμήσει δέ σοι αὐτός）\n εἴκοσι καὶ τέτορας δεῦρο λαβὼν ἄπιθι.\n\n καὶ παρὰ Θαυβορίου ῥοδίνους ἓξ πρόσλαβε .\n καὶ Τρυφέραν ταχέως ἐν παρόδῳ κάλεσον.\n"
},
{
"url": "https://anthologiagraeca.org/api/texts/4219/?format=api",
"language": "eng",
"text": "Go to the market, Demetrius, and get from Amyntas three small herrings and ten little lemon-soles ; and get two dozen fresh prawns (he will count them for you) and come straight back. And from Thauborius get six rose-wreaths — and, as it is on your way, just look in and invite Tryphera."
},
{
"url": "https://anthologiagraeca.org/api/texts/4220/?format=api",
"language": "fra",
"text": "Va au marché, Démétrios, et demande à Amyntas trois blades et dix petits muges. Des crevettes gibbeuses (tu les compteras, toi aussi), prends-en deux douzaines et reviens. Prends aussi chez Thauborius six couronnes de roses et appelle vite Tryphéra en passant. "
},
{
"url": "https://anthologiagraeca.org/api/texts/11390/?format=api",
"language": "grc",
"text": "εἰς ἀγορὰν βαδίσας, Δημήτριε, τρεῖς παρ᾽ Ἀμύντου\r\nγλαυκίσκους αἴτει, καὶ δέκα φυκίδια\r\nκαὶ κυφὰς καρῖδας (ἀριθμήσῃ δέ σὺ καὐτός）\r\nεἴκοσι καὶ τέτορας δεῦρο λαβὼν ἄπιθι.\r\nκαὶ παρὰ Θαυβορίου ῥοδίνους ἓξ πρόσλαβε ...\r\nκαὶ Τρυφέραν ταχέως ἐν παρόδῳ κάλεσον."
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"url": "https://anthologiagraeca.org/api/texts/11391/?format=api",
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"text": "Demétrio, vá até o mercado e, no Amyntos, peça três obladas e dez pequenas tainhas,\r\ne, após pegar vinte e quatro lagostins arqueados (você mesmo os contará), volte aqui.\r\nMas, no Thauborios, adquira seis buquês de rosas ... e, no caminho, chame rapidamente a delicada Tryphera."
}
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"# Mime et placement au livre 5\n\n Sur les épigrammes 5.181, 5.183 et 5.185, affirme Waltz qu’elles sont des petits mimes. \nPar rapport à l’ajout de 5.181 au livre V, il dit : « et c’est évidemment par analogie avec ces deux pièces [5.183 et 5.185] que, sans avoir rien d’érotique, elle a été incorporée au livre V. » (p. 83). \nDans un autre commentaire sur la même épigramme, Waltz fait la suivante lecture de la fin du texte : « nous sommes cinq buveurs et il nous faut à chacun une femme. » La « parfumeuse » citée à l’épigramme est, selon cette lecture de Waltz, une proxénète. Ainsi, est-ce que l’épigramme n’est pas érotique ? "
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"created_at": "2021-06-04T15:33:35.832819Z",
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"text": "Don't think to deceive me, Philaenis, with your plausible tears. I know ; you love absolutely no one more than me, as long as you are lying beside me ; but if you were with someone else, you would say you loved him more than me. "
},
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"text": "Ne crois pas me tromper en m’attendrissant par tes larmes, Philainis. Je sais : tu n’aimes absolument personne plus que moi, tout le temps que tu es couchée près de moi ; mais si c’était un autre qui te possédait, tu dirais que tu l’aimes plus que moi. "
},
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"url": "https://anthologiagraeca.org/api/texts/11393/?format=api",
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"text": "Philainis, não pense me enganar com lágrimas persuasivas. Eu sei como é, pois não há ninguém que você ame mais completamente do que a mim durante esse tempo em que você se deita comigo; mas, se outro te tem, diria amar mais a ele do que a mim."
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"text": "μή με δόκει πιθανῶς ἀπατᾶν δάκρυσσι, Φιλαινί.\r\nΟἶδα: φιλεῖς γὰρ ὅλως οὐδένα μεῖζον ἐμοῦ,\r\nτοῦτον ὅσον παρ᾽ ἐμοὶ κέκλισαι χρόνον εἰ δ᾽ ἕτερός σε\r\nεἶχε, φιλεῖν ἂν ἔφης μεῖζον ἐκεῖνον ἐμοῦ."
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"text": "\n εἰπὲ Λυκαινίδι, Δορκάς: \n ἴδ᾽ ὡς ἐπίτηκτα φιλοῦσα\n\n ἥλως: οὐ κρύπτει πλαστὸν ἔρωτα χρόνος.\n \n "
},
{
"url": "https://anthologiagraeca.org/api/texts/4225/?format=api",
"language": "eng",
"text": "Tell to Lycaenis, Dorcas, \" See how thy kisses are proved to be false coin. Time will ever reveal a counterfeit love.\" "
},
{
"url": "https://anthologiagraeca.org/api/texts/4226/?format=api",
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"text": "Dorcas, dis à Lycainis : « Vois comme à feindre d’aimer tu t’es fait prendre : le temps dénonce un amour sans sincérité. » "
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"text": "\n ἄστρα, καὶ ἡ φιλέρωσι καλὸν φαίνουσα Σελήνη,\nκαὶ Νύξ, καὶ κώμων σύμπλανον ὀργάνιον,\nἆρά γε τὴν φιλάσωτον ἔτ᾽ ἐν κοίταισιν ἀθρήσω\n ἄγρυπνον, λύχνῳ πόλλ᾽ ἀποκλαομένην;\n\n ἦ τιν᾽ ἔχει σύγκοιτον ; ἐπὶ προθύροισι μαράνας\n δάκρυσιν ἐκδήσω τοὺς ἱκέτας στεφάνους,\nἓν τόδ᾽ ἐπιγράψας: \n Κύπρι, σοὶ Μελέαγρος, ὁ μύστης\n\n σῶν κώμων, στοργῆς σκῦλα τάδ᾽ ἐκρέμασεν.\n \n "
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"text": "Ο stars, and moon, that lightest well Love's friends on their way, and Night, and thou, my little mandoline, companion of my serenades, shall I see her, the wanton one, yet lying awake and crying much to her lamp ; or has she some companion of the night ? Then will I hang at her door my suppliant garlands, all wilted with my tears, and inscribe thereon but these words, \" Cypris, to thee doth Meleager, he to whom thou hast revealed the secrets of thy revels, suspend these spoils of his love.\""
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"text": "Astres, et toi qui éclaires si bien la route des amoureux, Lune, et toi, nuit, et toi, petit instrument, compagnon de nos joyeuses orgies, dites-moi, cette dévergondée, vais-je la trouver encore sur sa couche, veillant à la lueur de sa lampe et gémissant longuement ? Ou bien son lit est-il partagé ? … Je vais fixer à sa porte, ternies de mes larmes, ces couronnes suppliantes, avec cette simple inscription: « A toi, Cypris, Méléagre, l’initié de tes orgies, a suspendu les dépouilles de son amour. » "
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"text": "Ἄστρα καὶ ἡ φιλέρωσι καλὸν φαίνουσα Σελήνη\r\nκαὶ Νὺξ καὶ κώμων σύμπλανον ὀργάνιον,\r\nἆρά γε τὴν φιλάσωτον ἔτ᾽ ἐν κοίταισιν ἀθρήσω\r\nἄγρυπνον λύχνῳ, πόλλ᾽ ἀποδυρομένην;\r\nἬ τιν᾽ ἔχει σύγκοιτον ; Ἐπὶ προθύροισι μαράνας\r\nδάκρυσιν ἐκδήσω τοὺς ἱκέτας στεφάνους,\r\nἓν τόδ᾽ ἐπιγράψας· «Κύπρι, σοὶ Μελέαγρος, ὁ μύστης\r\nσῶν κώμων, στοργῆς σκῦλα τάδ᾽ ἐκρέμασεν»."
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"text": "Oh, as estrelas e a lua que com beleza iluminam os amantes \r\ne também a noite e o pequeno instrumento errante das orgias,\r\npor acaso verei a promíscua ainda em seu leito, \r\ndesperta e chorando copiosamente à luz de vela?\r\nOu ela tem alguém em sua cama? Consumindo-me em lágrimas, \r\nirei amarrar em seus portões as coroas de súplicas, \r\nonde terei escrito isto: \"Para você, Cypris, \r\nMeleagro, aquele que é iniciado em suas orgias, pendurou esses espólios do amor\""
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