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"text": "\n ὑετὸς ἦν καὶ νύξ, καὶ τὸ τρίτον ἄλγος ἔρωτι,\nοἶνος: καὶ Βορέης ψυχρός, ἐγὼ δὲ μόνος.\n\n ἀλλ᾽ ὁ καλὸς Μόσχος πλέον ἴσχυεν. \n αἰ σὺ γὰρ οὕτως\n\n ἤλυες, οὐδὲ θύρην πρὸς μίαν ἡσύχασας.\n \n \n τῇδε τοσαῦτ᾽ ἐβόησα βεβρεγμένος: \n ἄχρι τίνος, Ζεῦ;\n\n Ζεῦ φίλε, σίγησον καὐτὸς ἐρᾶν ἔμαθες.\n \n "
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"text": "It was night, it was raining, and, love's third burden, I was in wine ; the north wind blew cold and I was alone. But lovely Moschus overpowered all. \" Would thou didst wander so, and didst not rest at one door.\" So much I exclaimed there, drenched through. \" How long Zeus ? Peace, dear Zeus ! Thou too didst learn to love.\""
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"text": "Il pleuvait, il faisait nuit et, troisième conjoncture fâcheuse pour un amoureux, j’étais pris de vin ; c’était par un vent glacé, et j’étais tout seul. Cependant le beau Moschos triomphait : « Puisses-tu errer à ton tour comme moi, sans trouver asile à aucune porte ! » Voilà ce qu’à l’enfant j’ai crié tout trempé… Jusques à quand, Zeus ? Mon cher Zeus, arrête ! toi aussi, tu as fait ton apprentissage d’amant. "
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"url": "https://anthologiagraeca.org/api/texts/13967/?format=api",
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"text": "Ὑετὸς ἦν καὶ νύξ, καὶ τὸ τρίτον ἄλγος ἔρωτι,\r\nοἶνος· καὶ Βορέης ψυχρός, ἐγὼ δὲ μόνος.\r\nἈλλ᾽ ὁ καλὸς Μόσχος πλέον ἴσχυεν. « Αἴ σὺ γὰρ οὕτως\r\nἤλυες, οὐδὲ θύρην πρὸς μίαν ἡσύχασας. »\r\nΠαιδὶ τοσοῦτ᾽ ἐβόησα βεβρεγμένος. Ἄχρι τίνος, Ζεῦ;\r\nΖεῦ φίλε, σίγησον, καὐτὸς ἐρᾶν ἔμαθες."
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"text": "Era noite, havia chuva e, o terceiro algoz do amor, vinho. O frio de Bóreas, e eu sozinho.\r\nMas o belo Moschos estava completamente vigoroso. « Ora, pois você desse modo já esteve excitado, não sendo impedido por nenhuma porta. »\r\nTais coisas gritei para a criança enquanto me molhava. Até quando, Zeus? Zeus amado, cale-se! Pois você também um dia aprendeu a amar."
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"name": "Ἀσκληπιάδης Σάμιος",
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"comments": [
{
"description": [
"# Moschos\n\n Affirme Waltz sur l’extrait : « Passage assez obscur et très controversé : la plupart des critiques (Ludwich, etc.) voient dans Moschos un rival heureux du poète. D’autres, comme Piccolos, trouvent dans ce mot un nom commun (=génisse) désignant sa maîtresse. Stadtmüller croit qu’il s’agit d’un jeune homme courtisé par le poète et qui l’a mis à la porte ; l’amant déçu formule alors contre lui les mêmes imprécations que Callimaque contre Conopion (V, 23). En tout cas, le texte de cette épigramme est mutilé et paraît présenter des lacunes. » "
],
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