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"text": "\n ὥπλισμαι πρὸς ;ἔρωτα περὶ στέρνοισι λογισμόν,\nοὐδέ με νικήσει, μοῦνος ἐὼν πρὸς ἕνα:\n θνατὸς δ᾽ ἀθανάτῳ συστήσομαι:\nἢν δὲ βοηθὸν\n Βάκχον ἔχῃ, τί μόνος πρὸς δύ᾽ ἐγὼ δύναμαι;\n"
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"text": "I have armed my breast with wisdom against Love ; nor will he conquer, if it be a single combat. I, a mortal, will stand up against an immortal. But if he has Bacchus to help him, what can I alone against two ? "
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"text": "Je me suis armé contre Éros d’une cuirasse : la raison ; il ne me vaincra pas, s’il doit lutter avec moi seul à seul ; et, mortel, je tiendrai tête à un immortel. Mais si Bacchus vient à son secours, que puis-je à moi seul contre deux ?"
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"text": "Thou hast Hera's eyes, Melite, and Athene's hands, the breasts of Aphrodite, and the feet of Thetis. Blessed is he who looks on thee, thrice blessed he who hears thee talk, a demigod he who kisses thee, and a god he who takes thee to wife. "
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"text": "Quand je suis près de toi, joueuse de cithare, je voudrais faire comme toi quand tu fais vibrer ton instrument : toucher doucement en haut et pincer au milieu. "
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"text": "\n εἲ μοί τις μέμφοιτο, δαείς ὅτι λάτρις Ἔρωτος\nφοιτῶ, θηρευτὴν ὄμμασιν ἰξὸν ἔχων,\n εἰδείη καὶ Ζῆνα, καὶ Ἄϊδα, τόν τε θαλάσσης\nσκηπτοῦχον, μαλερῶν δοῦλον ἐόντα Πόθων,\n\n εἰ δὲ θεοὶ τοιοίδε, θεοῖς δ᾽ ἐνέπουσιν ἕπεσθαι\n ἀνθρώπους, τί θεῶν ἔργα μαθὼν ἀδικῶ;\n"
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"text": "If anyone blame me because, a skilled servant of Love, I go to the chase, my eyes armed with birdlime to catch ladies, let him know that Zeus and Hades and the Lord of the Sea were slaves of violent desire. If the gods are such and they bid men follow their example, what wrong do I do in learning their deeds? "
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"text": "Si quelqu’un me blâmait en apprenant que je vais et viens, fidèle serviteur d’Éros, ayant aux yeux la glu du chasseur, qu’il se rappelle que Zeus et Hadès et le souverain des mers sont les esclaves des tyranniques Amours. Si les dieux en sont là et qu’on engage les hommes à suivre leur exemple, moi qui ai appris leurs aventures, qu’est-ce que je fais de mal en les imitant ? "
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{
"name": "Divinità",
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{
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"Huet considérait cette épigramme comme un dialogue. Jacobs fait observer que le tour interrogatif n'implique pas nécessairement cette hypothèse, mais que le poète peut fort bien converser avec lui-même.\r\n(Waltz)"
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"created_at": "2021-02-13T00:46:26Z",
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],
"texts": [
{
"url": "https://anthologiagraeca.org/api/texts/3824/?format=api",
"language": "grc",
"text": "\n μέχρι τίνος, Προδίκη, παρακλαύσομαι; ἄχρι τίνος σε\n γουνάσομαι, στερεή, μηδὲν ἀκουόμενος;\n ἤδη καὶ λευκαί σοι ἐπισκιρτῶσιν ἔθειραι,\n καὶ τάχα μοι δώσεις ὡς Ἑκάβη Πριάμῳ.\n"
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{
"url": "https://anthologiagraeca.org/api/texts/3825/?format=api",
"language": "eng",
"text": "For how long, Prodice, shall I weep at thy door ? Till when shall thy hard heart be deaf to my prayers ? Already the grey hairs begin to invade thee, and soon thou shalt give thyself to me as Hecuba to Priam. "
},
{
"url": "https://anthologiagraeca.org/api/texts/3826/?format=api",
"language": "fra",
"text": "Jusques à quand, Prodikê, vais-je pleurer à tes pieds ? Jusques à quand, cruelle, vais-je me traîner à tes genoux sans pouvoir me faire écouter ? Mais voici que sur ton front surgissent quelques cheveux blancs ; et tu me donneras bientôt… ce qu’Hécube donnait à Priam. "
}
],
"authors": [
{
"url": "https://anthologiagraeca.org/api/authors/9/?format=api",
"tlg_id": "tlg-1656",
"names": [
{
"name": "Rufinus",
"language": "eng"
},
{
"name": "Rufin",
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},
{
"name": "Rufino",
"language": "ita"
},
{
"name": "Rufinus",
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},
{
"name": "Elegiac couplet",
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}
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},
{
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"names": [
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"category": {
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{
"name": "Validation",
"language": "eng"
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{
"name": "Contralectus",
"language": "lat"
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{
"name": "Validazione",
"language": "ita"
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{
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{
"url": "https://anthologiagraeca.org/api/keywords/83/?format=api",
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},
{
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{
"url": "https://anthologiagraeca.org/api/keywords/377/?format=api",
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"name": "Hecuba",
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{
"name": "Personnages mythiques, divinités mineures",
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},
{
"name": "Mythical characters, minor deities",
"language": "eng"
},
{
"name": "Heroes mythologiae, dei minores",
"language": "lat"
},
{
"name": "Personaggi mitici, divinità minori",
"language": "ita"
},
{
"name": "Personagens míticos, divindades menores",
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},
{
"url": "https://anthologiagraeca.org/api/keywords/420/?format=api",
"names": [
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"name": "Priam",
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"category": {
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"name": "Personnages mythiques, divinités mineures",
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{
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{
"url": "https://anthologiagraeca.org/api/keywords/1394/?format=api",
"names": [
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{
"name": "Sylloge de Rufin",
"language": "fra"
}
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"names": [
{
"name": "Collections",
"language": "fra"
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{
"name": "Collections",
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{
"name": "Collecteana",
"language": "lat"
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{
"name": "Collezioni",
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"scholia": [
{
"book": 5,
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"url": "https://anthologiagraeca.org/api/scholia/urn:cts:greekLit:tlg5011.tlg001.sag:5.103.1/?format=api"
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{
"book": 5,
"fragment": 103,
"sub_fragment": "",
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}
],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/648/?format=api",
"descriptions": [
"Le roi et la reine des Troyens sont cités ici comme les types du vieillard et de la vieille femme.\r\n(Waltz)"
],
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},
{
"url": "https://anthologiagraeca.org/api/comments/649/?format=api",
"descriptions": [
"Cf. V, 12, 21, 66. Ces épigrammes de Rufin à Prodikè forment, à elles quatre, comme le canevas d'un petit roman aisé à reconstituer dans ses grandes lignes. Il faut alors les lire dans l'ordre chronologique suivant: 66 (première tentative, infructueuse), 12 (l'amour triomphant), 103 (pendant une brouille), 21 (séparation définitive); les deux premières peuvent d'ailleurs être interverties, si l'on considère V, 66 comme faisant allusion à un essai de réconciliation après une première querelle. \r\n(Waltz)"
],
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{
"url": "https://anthologiagraeca.org/api/texts/3829/?format=api",
"language": "grc",
"text": "\n αἶρε τὰ δίκτυα ταῦτα, κακόσχολε, μηδ᾽ ἐπίτηδες\n ἰσχίον ἐρχομένη σύστρεφε, Λυσιδίκη.\nεὖ σε περισφίγγει λεπτὸς στολιδώμασι πέπλος,\n πάντα δέ σου βλέπεται γυμνά, καὶ οὐ βλέπεται.\n\n εἰ τόδε σοι χαρίεν καταφαίνεται, αὐτὸς ὁμοίως\n ὀρθὸν ἔχων βύσσῳ τοῦτο περισκεπάσω.\n"
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{
"url": "https://anthologiagraeca.org/api/texts/3830/?format=api",
"language": "eng",
"text": "Take off these nets, Lysidice, you tease, and don't roll your hips on purpose, as you walk. The folds of your thin dress cling well to you, and all your charms are visible as if naked, and yet are invisible. If this seems amusing to you, I myself will dress in gauze too (hoc erectum bysso velabo.) "
},
{
"url": "https://anthologiagraeca.org/api/texts/3831/?format=api",
"language": "fra",
"text": "Quitte ce réseau, lambine de malheur, et ne fais pas exprès de tourner la hanche en marchant, Lysidikê. Ton fin péplos ne t’enserre pas dans ses plis ; toute la nudité apparaît et disparaît. Si tu trouves ce jeu spirituel, eh bien, moi aussi, j’ai là un objet bien raide, et je vais à mon tour lui mettre un voile, mais de gaze transparente. "
}
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"name": "Marcus Argentarius",
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{
"name": "Marco Argentario",
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"name": "Marco Argentario",
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"name": "Contralectus",
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"name": "Validazione",
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{
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"language": "por"
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"url": "https://anthologiagraeca.org/api/keywords/76/?format=api",
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}
]
}
},
{
"url": "https://anthologiagraeca.org/api/keywords/675/?format=api",
"names": [
{
"name": "Lysidice",
"language": "eng"
}
],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/9/?format=api",
"names": [
{
"name": "Personnes citées",
"language": "fra"
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{
"name": "Quoted persons",
"language": "eng"
},
{
"name": "Homines memorati",
"language": "lat"
},
{
"name": "Persone citate",
"language": "ita"
},
{
"name": "Pessoas citadas",
"language": "por"
}
]
}
},
{
"url": "https://anthologiagraeca.org/api/keywords/794/?format=api",
"names": [
{
"name": "Sexe masculin",
"language": "fra"
}
],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/10/?format=api",
"names": [
{
"name": "Motifs",
"language": "fra"
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"name": "Motifs",
"language": "eng"
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{
"name": "Themata",
"language": "lat"
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{
"name": "Motivi",
"language": "ita"
},
{
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"language": "por"
}
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],
"scholia": [
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"book": 5,
"fragment": 104,
"sub_fragment": "",
"number": 1,
"url": "https://anthologiagraeca.org/api/scholia/urn:cts:greekLit:tlg5011.tlg001.sag:5.104.1/?format=api"
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{
"book": 5,
"fragment": 104,
"sub_fragment": "",
"number": 2,
"url": "https://anthologiagraeca.org/api/scholia/urn:cts:greekLit:tlg5011.tlg001.sag:5.104.2/?format=api"
}
],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/650/?format=api",
"descriptions": [
"« Réseau »: Non point un filet, mais un tissu si léger et si transparent que le poète l'appelle ainsi par métaphore. \r\n(Waltz)"
],
"languages": [
"fra"
]
},
{
"url": "https://anthologiagraeca.org/api/comments/651/?format=api",
"descriptions": [
"« Tourner la hanche »: Geste de feinte pudeur pour ne pas se présenter de face. \r\n(Waltz)"
],
"languages": [
"fra"
]
},
{
"url": "https://anthologiagraeca.org/api/comments/652/?format=api",
"descriptions": [
"« Plis »: Qui, rapprochés les uns des autres, formeraient, même avec une étoffe aussi fine, un « rempart contre la vue ». Ici, au contraire, le flottement de l'étoffe tantôt cache la nudité et tantôt la laisse voir. \r\n(Waltz)"
],
"languages": [
"fra"
]
}
],
"external_references": [],
"internal_references": [],
"media": []
},
{
"id": 1120,
"book": {
"url": "https://anthologiagraeca.org/api/books/1/?format=api",
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"text": "\n ἄλλος ὁ Μηνοφίλας λέγεται παρὰ μαχλάσι κόσμος,\n ἄλλος, ἐπεὶ πάσης γεύεται ἀκρασίης.\n ἀλλ᾽ ἴτε Χαλδαῖοι κείνης πέλας: ἦ γὰρ ὁ ταύτης\nοὐρανὸς ἐντὸς ἔχει καὶ κύνα καὶ διδύμους.\n"
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"text": "Alius Menophilae qui dicitur inter reliqua scorta mundus (vel decentia), alius ubi omnem adhibet impudicitiam. At vos Chaldaei accedite ad hanc ; caelum (vel palatum) enim eius et Canem et Geminos intus habet."
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"text": "Un deuxième ciel que celui de Ménophilê, dit-on parmi les filles, un deuxième, puisqu’elle goûte à toutes les formes de la débauche. Allons, avancez près d’elle, Chaldéens, car en vérité sa voûte porte et Chien et Gémeaux. "
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"text": "Um outro cosmo, entre as lascivas, é dito ser o de Menófila ; outro, porque ela experimenta todos excessos. Mas vão, Caldeus, para perto dela : pois certamente \r\no céu dela abocanha o cão e os gêmeos."
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"url": "https://anthologiagraeca.org/api/comments/353/?format=api",
"descriptions": [
"# Duplo Sentido \n\n Κύων: pode significar tanto cachorro quanto pênis; \nδίδυμοι: faz referência aos testículos e aos gêmeos, a constelação; \nοὐρανος: é o céu e, também, o céu da boca.\nAssim, o poeta brinca com a dubiedade entre referir-se à astrologia ou ao sexo oral. "
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"Série de mots à double sens: κύων signifie à la fois le Chien (constellation) et le membre viril, δίδυμοι les gémeaux et les testicules, οὐρανός la voûte du ciel et la voûte du palais. On sait que les Chaldéens étaient versés dans la science des astres.\r\n(Waltz)"
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"url": "https://anthologiagraeca.org/api/texts/3840/?format=api",
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"text": "\n γραῖα, φίλη θρέπτειρα, τί μου προσιόντος ὑλακτεῖς,\nκαὶ χαλεπὰς βάλλεις δὶς τόσον εἰς ὀδύνας;\n\n παρθενικὴν γὰρ ἄγεις περικαλλέα, τῆς ἐπιβαίνων\n ἴχνεσι τὴν ἰδικὴν οἶμον ἴδ᾽ ὡς φέρομαι,\n\n εἶδος ἐσαυγάζων μοῦνον γλυκύ. τίς φθόνος ὄσσων,\n δύσμορε; καὶ μορφὰς ἀθανάτων βλέπομεν.\n"
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"url": "https://anthologiagraeca.org/api/texts/3841/?format=api",
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"text": "Granny, dear nurse, why do you bark at me when I approach; and cast me into torments twice as cruel. You accompany a lovely girl, and look how treading in her steps I go my own way, only gazing at her sweet form. Why be jealous of eyes, ill-fated nurse ? We are allowed to look on the forms of even the immortals."
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"language": "fra",
"text": "Vieille, ma chère nourrice, pourquoi à mon approche hurler et me jeter dans des tourments deux fois plus pénibles ? La jeune fille que tu accompagnes est des plus belles et, tout en lui emboîtant le pas, je vais mon propre chemin, vois, me bornant à lorgner ses traits charmants. Pourquoi, malheureuse, être jalouse de mes yeux ? On regarde bien la beauté des immortels. "
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"text": "Nourrice de malheur ! Faut-il que tu aboies\r\nQuand j'admire la belle enfant que tu conduis ?\r\nJe l'admire. C'est tout. Ensuite, je poursuis\r\nMon chemin. Vieille chienne, est-on jaloux des yeux ?\r\nPeuvent-ils l'abîmer ? Les dieux si beaux, les dieux\r\nAcceptent (on le dit) que des humains les voient."
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"url": "https://anthologiagraeca.org/api/texts/3846/?format=api",
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"text": "\" I know, charming lady, how to love him who loves me, and again I know right well how to bite him who bites me. Do not vex too much one who loves thee, or try to provoke the heavy wrath of the Muses.\" So I ever cried to thee and warned, but thou didst hearken to my words no more than the Ionian Sea. So now thou sobbest sorely and complainest, while I sit in Naias' lap."
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"text": "« Je sais, ma jolie, donner tout mon amour à qui m’aime, mais je sais aussi mordre à mon tour qui me mord. Ne me chagrine pas, moi qui t’aime tant, et évite d’irriter contre toi le lourd courroux des Piérides. » Tel est l’avertissement que je ne cessais de crier ; mais tout autant que les flots d’Ionie, tu étais sourde à mes paroles. Aussi, aujourd’hui puisses-tu, à ton tour, toute en larmes, pousser ici de grands cris ; quant à moi je repose, bien tranquille, dans le sein de la Naïade. "
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"text": "\"Γινώσκω, χαρίεσσα, φιλεῖν πάνυ τὸν φιλέοντα,\r\nκαὶ πάλι γινώσκω τόν με δακόντα δακεῖν\r\nμὴ λύπει με λίην στέργοντά σε, μηδ᾽ ἐρεθίζειν\r\nτὰς βαρυοργήτους σοι θέλε Πιερίδας.\"\r\nτοῦτ᾽ ἐβόων αἰεὶ καὶ προὔλεγον ἀλλ᾽ ἴσα πόντῳ\r\nἸονίῳ μύθων ἔκλυες ἡμετέρων.\r\nτοιγὰρ νῦν σὺ μὲν ὧδε μέγα κλαίουσα βαΰζεις:\r\nἡμεῖς δ᾽ ἐν κόλποις ἥμεθα Ναϊάδος."
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"text": "« Γινώσκω, χαρίεσσα, φιλεῖν πάνυ τὸν φιλέοντα,\r\nκαὶ πάλι γινώσκω τόν με δακόντα δακεῖν\r\nμὴ λύπει με λίην στέργοντά σε, μηδ᾽ ἐρεθίζειν\r\nτὰς βαρυοργήτους σοι θέλε Πιερίδας.»\r\nΤοῦτ᾽ ἐβόων αἰεὶ καὶ προὔλεγον ἀλλ᾽ ἴσα πόντῳ\r\nἸονίῳ μύθων ἔκλυες ἡμετέρων.\r\nΤοιγὰρ νῦν σὺ μὲν ὧδε μέγα κλαίουσα βαΰζεις:\r\nἡμεῖς δ᾽ ἐν κόλποις ἥμεθα Ναϊάδος."
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"text": "« Querida, eu sei amar bastante quem me ama e, inversamente, sei morder quem me mordeu.\r\nNão me pertube demais, pois tenho carinho por você, nem deseje contra você as coléricas Piérides »\r\nEu sempre gritava isso e avisava, mas você escutava nossas histórias do mesmo modo que o faz o mar Jônico.\r\nE então agora você, gemendo bastante, chora, e nós nos deitamos no colo da Náiade."
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"text": "\n δειλαίη, τί σε πρῶτον ἔπος, τί δὲ δεύτατον εἴπω;\n δειλαίη: τοῦτ᾽ ἐν παντὶ κακῷ ἔτυμον.\n οἴχεαι, ὦ χαρίεσσα γύναι, καὶ ἐς εἴδεος ὥρην\n ἄκρα καὶ εἰς ψυχῆς ἦθος ἐνεγκαμένη.\n\n πρώτη σοι ὄνομ᾽ ἔσκεν ἐτήτυμον ἦν γὰρ ἅπαντα\n δεύτερ᾽ ἀμιμήτων τῶν ἐπὶ σοὶ χαρίτων.\n"
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"text": "Unhappy ! what first shall I say, what last ? Unhappy ! that is the essence of all woe. Thou art gone, Ο lovely lady, excelling in the beauty of thy body, in the sweetness of thy soul. Rightly they named thee Prote (First) : for all was second to \nthe peerless charm that was thine. "
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"text": "Infortunée, de quel nom t’appeler en premier lieu et de quel nom en dernier lieu ? Infortunée ! voilà dans tout malheur le mot juste. Tu as disparu, femme charmante, toi qui par la beauté de tes traits comme par les qualités de ton cœur, avais atteint le premier rang. Prôtê était bien ton juste nom, car tout était primé par tes grâces inimitables. "
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"url": "https://anthologiagraeca.org/api/texts/3855/?format=api",
"language": "grc",
"text": "\n δραχμῆς Εὐρώπην τὴν Ἀτθίδα, μήτε φοβηθεὶς\n μηδένα, μήτ᾽ ἄλλως ἀντιλέγουσαν, ἔχε,\nκαὶ στρωμνὴν παρέχουσαν ἀμεμφέα, χὠπότε χειμών,\n ἄνθρακας. ἦ ῥα μάτην, Ζεῦ φίλε, βοῦς ἐγένου.\n\n "
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"text": "You can have the Attic Europa for a drachma with none to fear and no opposition on her part, and she has perfectly clean sheets and a fire in winter. It was quite superfluous for you, dear Zeus, to turn into a bull."
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"text": "Pour une drachme, Eurôpê l’Athénienne, sans que tu aies à redouter personne ni d’ailleurs à encourir de refus, est à toi ; elle fournit en outre un bon lit et, en hiver, du charbon : par ma foi, ce n’était pas la peine, mon cher Zeus, de te faire taureau."
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"language": "por",
"text": "Leva para Europa, a ateniense, uma dracma e não corres risco algum, nem ela te contradiz de nenhuma outra forma; ela também possui um leito irretocável e, quando é inverno, carvão. Ora, querido Zeus, à toa te tornou touro."
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"name": "Antipater de Thessalonique",
"language": "fra"
},
{
"name": "Antipater of Thessalonica",
"language": "eng"
},
{
"name": "Antípater de Tessalònica",
"language": "spa"
},
{
"name": "Antipatro di Tessalonica",
"language": "ita"
},
{
"name": "Antipater Thessalonicensis",
"language": "lat"
},
{
"name": "Ἀντίπατρος Θεσσαλονικεύς",
"language": "grc"
}
]
}
],
"cities": [],
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{
"url": "https://anthologiagraeca.org/api/keywords/1/?format=api",
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{
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{
"name": "distico elegiaco",
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{
"name": "Elegiac couplet",
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],
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{
"name": "Formes métriques",
"language": "fra"
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{
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{
"name": "Metra",
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{
"name": "Forme metriche",
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{
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},
{
"url": "https://anthologiagraeca.org/api/keywords/3/?format=api",
"names": [
{
"name": "erotic",
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{
"name": "érotic",
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{
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{
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{
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{
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{
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"names": [
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{
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{
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{
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{
"url": "https://anthologiagraeca.org/api/keywords/69/?format=api",
"names": [
{
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{
"name": "Money",
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{
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{
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{
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{
"name": "Themata",
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{
"name": "Motivi",
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{
"name": "Motivos",
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{
"url": "https://anthologiagraeca.org/api/keywords/73/?format=api",
"names": [
{
"name": "Validé par William",
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"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/11/?format=api",
"names": [
{
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{
"name": "Validation",
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{
"name": "Contralectus",
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{
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{
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"url": "https://anthologiagraeca.org/api/keywords/76/?format=api",
"names": [
{
"name": "Couronne de Philippe",
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"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/14/?format=api",
"names": [
{
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{
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{
"name": "Collecteana",
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{
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{
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{
"url": "https://anthologiagraeca.org/api/keywords/88/?format=api",
"names": [
{
"name": "Europe",
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{
"name": "Εὐρώπη",
"language": "grc"
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{
"name": "Europa",
"language": "spa"
},
{
"name": "Europa",
"language": "por"
},
{
"name": "Europe",
"language": "fra"
},
{
"name": "Europa",
"language": "ita"
},
{
"name": "Europa",
"language": "eng"
},
{
"name": "Europa",
"language": "lat"
}
],
"category": {
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{
"name": "Personnages mythiques, divinités mineures",
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{
"name": "Mythical characters, minor deities",
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{
"name": "Heroes mythologiae, dei minores",
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},
{
"name": "Personaggi mitici, divinità minori",
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},
{
"name": "Personagens míticos, divindades menores",
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],
"scholia": [
{
"book": 5,
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{
"book": 5,
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],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/354/?format=api",
"descriptions": [
"# Le prix du sexe \r\n\r\n Antipater de Thessalonique paie une drachme (Épigramme V.109)\r\nBassus paie deux oboles (Épigramme V.125)\r\nPhilodème dit qu'il paie cinq drachmes pour 12 rencontres et qu'il y a un autre qui paie 5 talents pour un rencontre. (Épigramme V.126); \r\n\r\n6 oboles = 1 drachme\r\n100 drachmes = 1 mine\r\n60 mines = 1 talent"
],
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"url": "https://anthologiagraeca.org/api/comments/659/?format=api",
"descriptions": [
"L'Athénienne s'appelle Eurôpê tout comme la vierge qu'enleva Zeus après s'être métamorphosé en taureau (Cf. Moschos, Id., III).\r\n(Waltz)"
],
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}
],
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{
"title": "Moschos, Europe",
"url": "https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:2008.01.0644"
}
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"created_at": "2021-02-16T01:03:17Z",
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"texts": [
{
"url": "https://anthologiagraeca.org/api/texts/3861/?format=api",
"language": "eng",
"text": "Pour in ten ladles of Lysidice, cup-bearer, and of charming Euphrante give me one ladle. You will say I love Lysidice best. No ! I swear by sweet Bacchus, whom I drain from this cup. But Euphrante is as one to ten. Doth not the light of the moon that is single overcome that of countless stars ? "
},
{
"url": "https://anthologiagraeca.org/api/texts/3862/?format=api",
"language": "fra",
"text": "En l’honneur de Lysidikê verse-moi dix cyathes, mais en l’honneur de la désirable Euphrantê, esclave, ne me donne qu’un cyathe. J’aime mieux Lysidikê, vas-tu dire ; non point, par le doux Bacchus que je bois avidement dans cette coupe. Mais pour moi, Euphrantê à elle seule en vaut dix : bien qu’en nombre infini, les étoiles ne voient-elles pas la lune de son seul éclat les surpasser ?"
},
{
"url": "https://anthologiagraeca.org/api/texts/9624/?format=api",
"language": "grc",
"text": "Ἕγχει Λυσιδίκης κυάθους δέκα, τῆς δὲ ποθεινῆς\r\nΕὐφράντης ἕνα μοι, λάτρι, δίδου κύαθον.\r\nΦήσεις Λυσιδίκην με φιλεῖν πλέον. οὐ μὰ τὸν ἡδὺν\r\nΒάκχον, ὃν ἐν ταύτῃ λαβροποτῶ κύλικι:\r\nἀλλά μοι Εὐφράντη μία πρὸς δέκα: καὶ γὰρ ἀπείρους\r\nἀστέρας ἓν μήνης φέγγος ὑπερτίθεται."
},
{
"url": "https://anthologiagraeca.org/api/texts/11364/?format=api",
"language": "por",
"text": "Encha dez copos em homenagem a Lysidiké e me dê um copo em nome da desejada Eufranté, a serva.\r\nDirá que eu gosto mais de Lysidiké? Mas não! É pelo doce Baco que bebo avidamente dessa taça.\r\nAliás, para mim, uma Eufranté vale por dez outras! Ora, a luz da Lua também não supera a luz de incontáveis estrelas?"
}
],
"authors": [
{
"url": "https://anthologiagraeca.org/api/authors/10/?format=api",
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"names": [
{
"name": "Marcus Argentarius",
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{
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{
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{
"name": "Marco Argentario",
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{
"name": "Marcus Argentarius",
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{
"name": "Μάρκος Ἀργεντάριος",
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"name": "Personnes citées",
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{
"name": "Homines memorati",
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{
"name": "Persone citate",
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"language": "por"
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},
{
"url": "https://anthologiagraeca.org/api/keywords/695/?format=api",
"names": [
{
"name": "Bacchus",
"language": "eng"
}
],
"category": {
"url": "https://anthologiagraeca.org/api/keyword_categories/7/?format=api",
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"name": "Divinités",
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{
"name": "Deities",
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},
{
"name": "Divinitates",
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{
"name": "Divinità",
"language": "ita"
},
{
"name": "Divindades",
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]
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],
"scholia": [
{
"book": 5,
"fragment": 110,
"sub_fragment": "",
"number": 1,
"url": "https://anthologiagraeca.org/api/scholia/urn:cts:greekLit:tlg5011.tlg001.sag:5.110.1/?format=api"
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{
"book": 5,
"fragment": 110,
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],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/660/?format=api",
"descriptions": [
"Cyathe: Mesure de capacité pour les liquides valant environ `[45 ml].\r\n(Waltz)"
],
"languages": [
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]
},
{
"url": "https://anthologiagraeca.org/api/comments/661/?format=api",
"descriptions": [
"Le nom du dieu remplace celui de son attribut (le vin), suivant un usage courant chez les poètes alexandrins et latins (Virgile dit Ceres pour le pain, etc.).\r\n(Waltz)"
],
"languages": [
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{
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"texts": [
{
"url": "https://anthologiagraeca.org/api/texts/3865/?format=api",
"language": "grc",
"text": "\n εἶπον ἐγὼ καὶ πρόσθεν, ὅτ᾽ ἦν ἔτι φίλτρα Τερείνης\n νήπια, Συμφλέξει πάντας ἀεξομένη.\n οἱ δ᾽ ἐγέλων τὸν μάντιν. ἴδ᾽, ὁ χρόνος ὃν ποτ᾽ ἐφώνουν,\n οὗτος: ἐγὼ δὲ πάλαι τραύματος ᾐσθανόμην.\n καὶ τί πάθω; λεύσσειν μέν, ὅλαι φλόγες: ἢν δ᾽5 ἀπονεύσω,\n φροντίδες: ἢν δ᾽ αἰτῶ, παρθένος. οἰχόμεθα.\n"
},
{
"url": "https://anthologiagraeca.org/api/texts/3866/?format=api",
"language": "eng",
"text": "I said even formerly, when Tereina's charms were yet infantile, \" She will consume us all when she grows up.\" They laughed at my prophecy : but lo ! the time I once foretold is come, and for long I suffer myself from the wound. What am I to do ? To look on her is pure fire, and to look away is trouble of heart, and if I pay my suit to her, it is \" I am a maid.\" All is over with me. "
},
{
"url": "https://anthologiagraeca.org/api/texts/3867/?format=api",
"language": "fra",
"text": "Je l’avais dit, moi, et d’avance, quand les charmes de Téreinê étaient encore ceux d’une enfant : « Elle nous embrasera tous en grandissant. » Et les autres de rire du prophète. Voyez, le temps dont je parlais alors, le voici ; mais moi, il y a longtemps que je sentais venir le coup. Que faire ? La regarder, c’est un vrai brasier ; tourner la tête, quels tourments ! Risquer une demande, elle est vierge. Je suis perdu. "
}
],
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"οἰχόμεθα: Ce dernier mot peut encore se prendre au sens propre: « Sauvons-nous! » Il y aurait là un trait satirique inattendu: les trois premières alternatives étant écartées, il n'en reste plus qu'une quatrième: se retirer. \r\n(Waltz)"
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"name": "Mythical characters, minor deities",
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"name": "Heroes mythologiae, dei minores",
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"Allusion au dicton célèbre: : « Ἔρωτα παύει λιμός. » Le mot φάρμακον, pris dans le sens métaphorique de remède au mal douloureux qu'est l'amour, est familier aux poètes alexandrins: cf, V, 116, 4, etc.; Théocrite, XI, 1 et 7; XIV, 52; XXIII, 24; etc.; Callimaque, Epigr., 48,4, etc.\r\n(Waltz)"
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"Qui es-tu? de quelle race? quel est ton pays? : Formule homérique, cinq fois répétée dans l'Odyssée (I, 170, etc.).\r\n(Waltz)"
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"« Pas d'argent, pas d'ami »: ¨Proverbe courant (cf. Euripide, Électre, 1138, etc.).\r\n(Waltz)"
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"title": "Théocrite, XI",
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"title": "Théocrite, XIV",
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"title": "Théocrite, XXIII",
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"title": "Callimaque, Épigrammes, 48",
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"title": "Euripide, Électre, 1138",
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"url": "https://anthologiagraeca.org/api/texts/3876/?format=api",
"language": "grc",
"text": "\n ἡ χαλεπὴ κατὰ πάντα Φιλίστιον, ἡ τὸν ἐραστὴν\n μηδέποτ᾽ ἀργυρίου χωρὶς ἀνασχομένη,\n φαίνετ᾽ ἀνεκτοτέρη νῦν ἢ πάρος. οὐ μέγα θαῦμα\n φαίνεσθ᾽ ἠλλάχθαι τὴν φύσιν οὐ δοκέω.\n\n καὶ γὰρ πρηϋτέρη ποτὲ γίνεται ἀσπὶς ἀναιδής;\n δάκνει δ᾽ οὐκ ἄλλως ἢ θανατηφορίην.\n"
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"language": "eng",
"text": "That persistently cruel Philistion, who never tolerated an admirer unless he had money, seems less insufferable now than formerly. It is not a great miracle her seeming so, but I don't believe her nature is changed. The merciless aspic grows tamer at times, but when it bites, it always means death."
},
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"text": "Cette Philistion toujours si désagréable, qui jamais, s’il n’avait pas d’argent, ne faisait bon accueil à son amant, paraît plus accueillante aujourd’hui qu’hier. Pas grand miracle à le paraître ! Mais qu’elle ait changé de nature, je n’en crois rien. Plus bénin aussi se fait parfois le cruel aspic, sans mordre autrement que d’une blessure mortelle. "
},
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"url": "https://anthologiagraeca.org/api/texts/11379/?format=api",
"language": "por",
"text": "Philistion, a difícil em todas as coisas, a que jamais sustentou um amante desprovido de dinheiro, ela hoje parece ser mais suportável do que fora outrora. \r\nNão se revela uma grande surpresa, nem acredito que ela alterou a própria natureza.\r\nOra, também se torna boa a serpente insaciável quando não morde de um modo que traga a morte."
}
],
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"name": "Quinto Mecio",
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{
"name": "Quintus Maecius",
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{
"name": "Quinto Mecio",
"language": "spa"
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{
"name": "Quintus Maecius",
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{
"name": "Quintus Maecius",
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}
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"name": "Formes métriques",
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{
"name": "Metra",
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{
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{
"name": "Genera",
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{
"name": "Generi",
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"name": "Gêneros",
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}
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"name": "Grèce romaine",
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"name": "Tempora",
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{
"name": "Periodi",
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{
"url": "https://anthologiagraeca.org/api/keywords/69/?format=api",
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{
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{
"name": "Money",
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{
"name": "Denaro",
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}
],
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{
"name": "Contralectus",
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{
"name": "Validazione",
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{
"url": "https://anthologiagraeca.org/api/keywords/76/?format=api",
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{
"url": "https://anthologiagraeca.org/api/keywords/84/?format=api",
"names": [
{
"name": "jeunesse et vieillesse",
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{
"name": "Youth and old age",
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{
"name": "Giovinezza e vecchiaia",
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"url": "https://anthologiagraeca.org/api/keywords/407/?format=api",
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"name": "Motifs",
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"name": "Themata",
"language": "lat"
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"name": "Motivi",
"language": "ita"
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"book": 5,
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"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/666/?format=api",
"descriptions": [
"[Elle est plus accueillante] parce qu'elle a pris de l'âge (thème fréquent dans ce livre de l'Anthologie: cf V, 21, 103, etc.) - La répétition ἀνασχομένη - ἀνεκτοτέρη (= accueil - accueillante) est évidemment voulue. \r\n(Waltz)"
],
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"url": "https://anthologiagraeca.org/api/texts/3879/?format=api",
"language": "grc",
"text": "\n ἠράσθην Δημοῦς Παφίης γένος: οὐ μέγα θαῦμα\nκαὶ Σαμίης Δημοῦς δεύτερον οὐχὶ μέγα:\nκαὶ πάλι Ναξιακῆς Δημοῦς τρίτον οὐκέτι ταῦτα\n παίγνια: καὶ Δημοῦς τέτρατον Ἀργολίδος.\n\n αὐταί που Μοῖραί με κατωνόμασαν Φιλόδημον,\nὡς αἰεὶ Δημοῦς θερμὸς ἔχει με πόθος.\n"
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{
"url": "https://anthologiagraeca.org/api/texts/3880/?format=api",
"language": "eng",
"text": "I fell in love with Demo of Paphos — nothing surprising in that : and again with Demo of Samos — well that was not so remarkable : and thirdly with Demo of Naxos — then the matter ceased to be a joke : and in the fourth place with Demo of Argos. The Fates themselves seem to have christened me Philodeme ; as I always feel ardent desire for some Demo."
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{
"url": "https://anthologiagraeca.org/api/texts/3881/?format=api",
"language": "fra",
"text": "J’ai aimé une Démô, paphienne d’origine : rien de bien étonnant ; une Démô de Samos en second lieu : rien non plus de bien étonnant ; encore une troisième, Démô de Hysies : voilà qui n’est plus une plaisanterie ; enfin une quatrième, Démô d’Argos. Ce sont sans doute les Destinées elles-mêmes qui m’ont appelé Philodémos, afin que je ne cesse jamais de brûler d’amour pour une Démô. "
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{
"name": "Samo",
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{
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"text": "Isias à la douce haleine, bien que ton sommeil soit dix fois plus parfumé, éveille-toi et reçois dans tes mains chéries cette couronne ; maintenant fleurie, tu la verras vers l’aurore se fanant : l’emblème de ta jeunesse ! "
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"text": "\n μὴ σύ γε, μηδ᾽ εἴ τοι πολὺ φέρτερος εἴδεται ὄσσων\n ἀμφοτέρων, κλεινοῦ κοῦρε Μεγιστοκλέους,\n κἢν στίλβῃ Χαρίτεσσι λελουμένος, ἀμφιδονοίης\n τὸν καλὸν οὐ γὰρ ὁ παῖς ἤπιος οὐδ᾽ ἄκακος,\n\n ἀλλὰ μέλων πολλοῖσι, καὶ οὐκ ἀδίδακτος ἐρώτων.\n τὴν φλόγα ῥιπίζειν δείδιθι, δαιμόνιε.\n"
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"text": "Son of illustrious Megistocles, I beseech thee, not even though he seem to thee more precious than thy two eyes, though he be glowing from the bath of the Graces, hum not around the lovely boy. Neither gentle nor simple-hearted is he, but coui'ted by many, and no novice in love. Beware, my friend, and fan not the flame."
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"text": "Ne va pas, jeune homme, même s’il te semble de bien plus de prix que tes deux yeux, ce Cleinos, fils de Mégistoclès, même s’il sort tout éclatant du bain des Grâces, ne va pas tourner autour de ce beau garçon ; loin d’être facile et sans malice, l’enfant trouble plus d’un cœur et n’est point novice en amour. Crains d’attiser la flamme, fou que tu es ! "
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"text": "\n Νυκτερινή, δίκερως, φιλοπάννυχε, φαῖνε, Σελήνη,\nφαῖνε, δι᾽ εὐτρήτων βαλλομένη θυρίδων\n αὔγαζε χρυσέην Καλλίστιον ἐς τὰ φιλεύντων\n ἔργα κατοπτεύειν οὐ φθόνος ἀθανάτῃ.\n\n ὀλβίζεις καὶ τήνδε καὶ ἡμέας, οἶδα, Σελήνη:\nκαὶ γὰρ σὴν ψυχὴν ἔφλεγεν Ἐνδυμίων.\n"
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"text": "Shine, Moon of the night, horned Moon, who lovest to look on revels, shine through the lattice and let thy light fall on golden Callistion. It is no offence for an immortal to pry into the secrets of lovers. Thou dost bless her and me, I know, Ο Moon ; for did not Endymion set thy soul afire ? "
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"text": "Astre nocturne à deux cornes, qui aimes à veiller la nuit entière, brille, Lune, brille en pénétrant à travers nos fenêtres heureusement ouvertes ; éclaire la rayonnante Callistion, car les amants ne sauraient refuser à une immortelle de regarder leurs travaux. Tu envies notre bonheur, le sien et le mien, je le sais, Lune, car ton cœur à toi aussi fut embrasé par Endymion. "
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"url": "https://anthologiagraeca.org/api/texts/3907/?format=api",
"language": "grc",
"text": "\n οὔπω σοι καλύκων γυμνὸν θέρος, οὐδὲ μελαίνει\n βότρυς ὁ παρθενίους πρωτοβολῶν χάριτας:\n ἀλλ᾽ ἤδη θοὰ τόξα νέοι θήγουσιν Ἔρωτες,\n Λυσιδίκη, καὶ πῦρ τύφεται ἐγκρύφιον.\n\n φεύγωμεν, δυσέρωτες, ἕως βέλος οὐκ ἐπὶ νευρῇ:\n μάντις ἐγὼ μεγάλης αὐτίκα πυρκαϊῆς.\n"
},
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"url": "https://anthologiagraeca.org/api/texts/3908/?format=api",
"language": "eng",
"text": "Thy summer's flower hath not yet burst from the bud, the grape that puts forth its first virgin charm is yet green, but already the young Loves sharpen their swift arrows, Lysidice, and a hidden fire is smouldering. Let us fly, Ave unlucky lovers, before the arrow is on the string. I foretell right soon a vast conflagration. "
},
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"url": "https://anthologiagraeca.org/api/texts/3909/?format=api",
"language": "fra",
"text": "Pour toi l’été n’a pas encore dépouillé ses boutons ni noirci la grappe qui pousse ses premières grâces virginales. Mais déjà les jeunes Amours aiguisent leurs flèches rapides, Lysidikê, et le feu couve en secret. Fuyons, malheureux amants, tant que la flèche n’est pas sur la corde ; bientôt, je le prédis, ce sera un terrible incendie."
},
{
"url": "https://anthologiagraeca.org/api/texts/14963/?format=api",
"language": "eng",
"text": "Thy petals yet are closely curled,\r\n Rose of the world,\r\nAround their scented, golden core;\r\nNor yet has Summer purpled o'er\r\nThy tender clusters that begin\r\n To swell within\r\nThe dewy vine-leaves' early screen\r\n Of sheltering green.\r\n\r\nO hearts that are Love's helpless prey,\r\n While yet you may,\r\nFly, ere the shaft is on the string!\r\nThe fire that now is smouldering\r\nShall be the conflagration soon\r\n Whose paths are strewn\r\nWith torment of blanched lips and eyes\r\n That agonize.\r\n\r\n— Seeger, Alan (1888–1916): Poems by Alan Seeger (1916)"
}
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"tlg_id": "tlg-1595",
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"name": "Philodème de Gadara",
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"url": "https://anthologiagraeca.org/api/texts/3910/?format=api",
"language": "grc",
"text": "\n οὐ μέλλω ῥεύσειν χρυσός ποτε: βοῦς δὲ γένοιτο\n ἄλλος, χὠ μελίθρους κύκνος ἐπῃόνιος.\n Ζηνὶ φυλασσέσθω τάδε παίγνια: τῇ δὲ Κορίννῃ\n τοὺς ὀβολοὺς δώσω τοὺς δύο, κοὐ πέτομαι.\n\n "
},
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"url": "https://anthologiagraeca.org/api/texts/3911/?format=api",
"language": "eng",
"text": "I am never going to turn into gold, and let some one else become a bull or the melodious swan of the shore. Such tricks I leave to Zeus, and instead of becoming a bird I will give Corinna my two obols. "
},
{
"url": "https://anthologiagraeca.org/api/texts/3912/?format=api",
"language": "fra",
"text": "Je n’ai pas l’intention de tomber jamais en pluie d’or ; qu’un autre se mue en taureau ou, sur quelque rivage, en cygne à la voix mélodieuse. Laissons ces plaisanteries à Zeus : Corinne aura de moi ses deux oboles ; mais quant à prendre des ailes, non "
},
{
"url": "https://anthologiagraeca.org/api/texts/14920/?format=api",
"language": "por",
"text": "Nunca sou o ouro prestes a chover, e outro que se transforme em touro ou no ribeirinho cisne de voz doce.\r\nDeixe essas brincadeiras para Zeus. Para Corinna, eu darei seus dois óbolos, mas não saio voando."
}
],
"authors": [
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"url": "https://anthologiagraeca.org/api/authors/83/?format=api",
"tlg_id": "tlg-0143",
"names": [
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"name": "Lollius Bassus",
"language": "fra"
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"name": "Lollius Bassus",
"language": "eng"
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{
"name": "Lollio Basso",
"language": "ita"
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{
"name": "Lollius Bassus",
"language": "lat"
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{
"name": "Lollios Bassos",
"language": "por"
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{
"name": "Λόλλιος Βάσσος",
"language": "grc"
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"url": "https://anthologiagraeca.org/api/keywords/1/?format=api",
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"language": "fra"
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"name": "Money",
"language": "eng"
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{
"name": "Denaro",
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],
"category": {
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"name": "Motifs",
"language": "fra"
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"name": "Motifs",
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{
"name": "Themata",
"language": "lat"
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"name": "Motivi",
"language": "ita"
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"url": "https://anthologiagraeca.org/api/keywords/1470/?format=api",
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"name": "Corinne",
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"url": "https://anthologiagraeca.org/api/comments/354/?format=api",
"descriptions": [
"# Le prix du sexe \r\n\r\n Antipater de Thessalonique paie une drachme (Épigramme V.109)\r\nBassus paie deux oboles (Épigramme V.125)\r\nPhilodème dit qu'il paie cinq drachmes pour 12 rencontres et qu'il y a un autre qui paie 5 talents pour un rencontre. (Épigramme V.126); \r\n\r\n6 oboles = 1 drachme\r\n100 drachmes = 1 mine\r\n60 mines = 1 talent"
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"created_at": "2021-05-28T20:11:39.981319Z",
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{
"url": "https://anthologiagraeca.org/api/texts/3913/?format=api",
"language": "grc",
"text": "\n πέντε δίδωσιν ἑνὸς τῇ δεῖνα ὁ δεῖνα τάλαντα,\n καὶ βινεῖ φρίσσων, καὶ μὰ τὸν οὐδὲ καλὴν\n πέντε δ᾽ ἐγὼ δραχμὰς τῶν δώδεκα Λυσιανάσσῃ,\n καὶ βινῶ πρὸς τῷ κρείσσονα καὶ φανερῶς.\n\n πάντως ἤτοι ἐγὼ φρένας οὐκ ἔχω, ἢ τό γε λοιπὸν\n τοὺς κείνου πελέκει δεῖ διδύμους ἀφελεῖν.\n"
},
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"url": "https://anthologiagraeca.org/api/texts/3914/?format=api",
"language": "eng",
"text": "So-and-so gives so-and-so five talents for once, and possesses her in fear and trembling, and, by Heaven, she is not even pretty. I give Lysianassa five drachmas for twelve times, and she is better looking, and there is no secret about it. Either I have lost my wits, or he ought to be rendered incapable of such conduct for the future."
},
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"url": "https://anthologiagraeca.org/api/texts/3915/?format=api",
"language": "fra",
"text": "Un tel donne à une telle cinq talents pour une seule fois en outre il tremble quand il couche avec elle et, ma foi, elle n’est pas même pas jolie ; moi, je paie cinq drachmes à Lysianassa pour l’avoir douze fois et, outre qu’elle est plus belle, je fais cela sans me cacher. Ou bien, ma parole, c’est moi qui ai complètement perdu la raison ou c’est à l’autre qu’il faut, et dès maintenant, trancher les deux… jumeaux d’un coup de hache. "
},
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"text": "Um fulano dá a uma fulana cinco talentos por umazinha,\r\ntrepa tremendo e, meu Deus, nem bonita ela é;\r\njá eu dou cinco dracmas para Lisianassa por dozes vezes,\r\nalém disso ainda trepo muito melhor e às claras.\r\nCertamente ou eu não tenho nada na cabeça, \r\nou precisam cortar as bolas do outro com um machado."
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"text": "\n παρθένον Ἀλκίππην ἐφίλουν μέγα, καί ποτε πείσας\nαὐτὴν λαθριδίως εἶχον ἐπὶ κλισίῃ.\n ἀμφοτέρων δὲ στέρνον ἐπάλλετο, μή τις ἐπέλθῃ,\nμή τις ἴδῃ τὰ πόθων κρυπτὰ περισσοτέρων.\n\n μητέρα δ᾽ οὐκ ἔλαθεν κείνης λάλον ἀλλ᾽ ἐσιδοῦσα\n ἐξαπίνης, Ἑρμῆς κοινός, ἔφη. θύγατερ. \n "
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"text": "\n στέρνα περὶ στέρνοις, μαστῷ δ᾽ ἔπι μαστὸν ἐρείσας,\nχείλεά τε γλυκεροῖς χείλεσι συμπιέσας\n Ἀντιγόνης, καὶ χρῶτα λαβὼν πρὸς χρῶτα, τὰ λοιπὰ\n σιγῶ, μάρτυς ἐφ᾽ οἷς λύχνος ἐπεγράφετο.\n"
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"text": "Breast to breast supporting my bosom on hers, and pressing her sweet lips to mine I clasped Antigone close with naught between us. Touching the rest, of which the lamp was entered as witness, I am silent. "
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"language": "fra",
"text": "Ma poitrine collée contre sa poitrine et mon sein contre son sein, mes lèvres pressant les douces lèvres d’Antigonê et ma peau touchant sa peau… je tais le reste, pour quoi il n’y a eu qu’un témoin d’inscrit : la lampe."
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"url": "https://anthologiagraeca.org/api/texts/3922/?format=api",
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"text": "\n τὴν ἀπὸ τῆς Ἀσίης ὀρχηστρίδα, τὴν κακοτέχνοις\n σχήμασιν ἐξ ἁπαλῶν κινυμένην ὀνύχων,\n\n αἰνέω, οὐχ ὅτι πάντα παθαίνεται, οὐδ᾽ ὅτι βάλλει\n τὰς ἁπαλὰς ἁπαλῶς ὧδε καὶ ὧδε χέρας:\n\n ἀλλ᾽ ὅτι καὶ τρίβακον περὶ πάσσαλον ὀρχήσασθαι\nοἶδε, καὶ οὐ φεύγει γηραλέας ῥυτίδας.\n γλωττίζει, κνίζει, περιλαμβάνει: ἢν δ᾽ ἐπιρίψῃ\nτὸ σκέλος, ἐξ ᾄδου τὴν κορύνην ἀνάγει.\n"
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"text": "The dancing-girl from Asia who executes those lascivious postures, quivering from her tender fingertips, I praise not because she can express all variations \nof passion, or because she moves her pliant arms so softly this way and that, sed quod et pannosum super clavum saltare novit et non fugit seniles rugas. \nLingua basiatiu*, vellicat, amplectitur ; si vero femur superponat clavum vel ex orco reducit."
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"text": "À la bayadère d’Asie qui se balance en des poses d’un art vicieux depuis sa plus tendre enfance, j’adresse mes compliments, non parce qu’elle rend avec pathétique tous les sentiments no parce qu’elle envoie avec grâce ses bras gracieux comme ceci, puis comme cela ; mais elle sait aussi exécuter ses danses autour d’une cheville usée et les rides d’un vieillard ne la font pas fuir. Elle baise de la langue, chatouille, enlace ; elle a des mouvements de jambe qui vous ramènent de l’Hadès votre trique. "
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"text": "À dançarina vinda da Ásia que quando se move com sua lasciva figura de tenras garras, agradeço; mas não porque experimenta tudo, nem porque lança delicadamente suas tenras mãos aqui e ali: mas porque sabe dançar em volta de um pênis já gasto e não foge de uma pele velha. Engole, inflama e o segura todo: balança as pernas e certamente faz o bastão subir do Hades."
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"text": "\n τί στυγνή; τί ταῦτα κόμης εἰκαῖα, Φιλαινί,\n σκύλματα, καὶ νοτερῶν σύγχυσις ὀμματίων;\nμὴ τὸν ἐραστὴν εἶδες ἔχονθ᾽ ὑποκόλπιον ἄλλην;\nεἶπον ἐμοί: λύπης φάρμακ᾽ ἐπιστάμεθα.\n\n δακρύεις, οὐ φὴς δέ: μάτην ἀρνεῖσθ᾽ ἐπιβάλλῃ:\n ὀφθαλμοὶ γλώσσης ἀξιοπιστότεροι.\n"
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"text": "Why so gloomy, and what do these untidy ruffled locks mean, Philaenis, and those eyes suffused with tears ? Did you see your lover with a rival on his lap ? Tell me ; I know a cure for sorrow. You cry, but don't confess ; in vain you seek to deny ; eyes are more to be trusted than the tongue. "
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"url": "https://anthologiagraeca.org/api/texts/3928/?format=api",
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"text": "Pourquoi triste ? Pourquoi ces cheveux, Philainis, arrachés sans raison et ces pauvres yeux brouillés de larmes ? As-tu vu ton amant tenir une autre dans ses bras ? Dis-le moi ; je sais un remède à ta peine. Tu pleures ; non, dis-tu. C’est en vain que tu cherches à nier : les yeux plus que la langue méritent d’être crus. "
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"url": "https://anthologiagraeca.org/api/texts/11659/?format=api",
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"text": "Por quê triste ? Por quê essa vulgar arrancada de cabelo e a confusão dos olhares úmidos, Philainis?\r\nNão viste que teu amante leva outra em seu peito? Mas fala comigo, nós conhecemos o remédio para a aflição.\r\nChoras, mas dizes que não. Em vão tentas negar, pois os olhos são mais confiáveis do que a língua."
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"text": "\n ψαλμός, καὶ λαλιή, καὶ κωτίλον ὄμμα, καὶ ᾠδὴ\n Ξανθίππης, καὶ πῦρ ἄρτι καταρχόμενον,\nὦ ψυχή, φλέξει σε: τὸ δ᾽ ἐκ τίνος, ἢ πότε, καὶ πῶς,\nοὐκ οἶδα: γνώσῃ, δύσμορε, τυφομένη.\n"
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"text": "Xanthippe's touch on the lyre, and her talk, and her speaking eyes, and her singing, and the fire that is just alight, will burn thee, my heart, but from what beginning or when or how I know not. Thou, unhappy heart, shalt know when thou art smouldering. "
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"text": "Le jeu de lyre, le babil, le regard séducteur, le chant de Xanthippê, le feu qui ne fait que s’allumer, tout, ô mon âme, va t’embraser ; lequel a commencé, quand, comment, je ne sais ; mais ce que tu verras bien, malheureuse, c’est que tu en es consumée"
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"text": "\n ὦ ποδός, ὦ κνήμης, ὦ τῶν ἀπόλωλα δικαίως\n μηρῶν, ὦ γλουτῶν, ὦ κτενός, ὦ λαγόνων,\nὦ ὤμοιν, ὦ μαστῶν, ὦ τοῦ ῥαδινοῖο τραχήλου,\nὦ χειρῶν, ὦ τῶν μαίνομαι ὀμματίων,\n\n ὦ κατατεχνοτάτου κινήματος, ὦ περιάλλων\n γλωττισμῶν, ὦ τῶν θῦ᾽ ἐμὲ φωναρίων.\nεἰ δ᾽ Ὀπικὴ καὶ Φλῶρα καὶ οὐκ ᾁδουσα τὰ Σαπφοῦς,\nκαὶ Περσεὺς Ἰνδῆς ἠράσατ᾽ Ἀνδρομέδης.\n\n "
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"text": "Ο feet, Ο legs, Ο thighs for which I justly died, Ο nates, Ο pectinem, Ο flanks, Ο shoulders, Ο breasts, Ο slender neck, Ο arms, Ο eyes I am mad for, Ο accomplished movement, Ο admirable kisses, Ο exclamations that excite ! If she is Italian and her name is Flora and she does not sing Sappho, yet Perseus was in love with Indian Andromeda. "
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"text": "Ô ce pied, cette jambe, ces cuisses pour lesquelles je me meurs avec tant de raison, ces fesses, cette frange, ces hanches, ces épaules, ces seins, ce cou délié, ces bras, ces yeux dont je suis fou, cette démarche savamment ondulée, ces incomparables baisers de la langue, ces petits cris qui m’affolent ! Elle est du pays des Opiques, elle n’est qu’une Flora, elle ne chante pas les vers de Sapphô ? Mais Persée ne fut-il pas amoureux de l’Indienne Andromède ? "
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"text": "By thy majesty, Cytherea, I swore to keep away two nights from Hedylion, and knowing the complaint of my poor heart, methinks thou didst smile. For I will not support the second, and I cast my oath to the winds. I choose rather to be impious to thee for her sake than by keeping my oath to thee to die of piety."
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"text": "J’ai juré, Cythérée, par ta puissance, que deux nuits loin d’Hédylion je resterais tranquille ; mais tu riais, j’imagine, connaissant la maladie du malheureux que je suis ; car je ne tiendrai pas la seconde nuit et je livre aux vents mes serments. J’ai mieux commettre une impiété pour l’amour d’elle que d’observer la foi que je t’ai jurée, auguste déesse, et mourir de piété. "
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"text": "To the Cup-bearer \n\nFill up the cup and say again, again, again, \" Heliodora's.\" Speak the sweet name, temper the wine with but that alone. And give me, though it be yesternight's, the garland dripping with scent to wear in memory of her. Look how the rose that favours Love is weeping, because it sees her elsewhere and not in my bosom. "
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"text": "Verse, et une fois encore répète, encore, encore : « A la santé d’Héliodôra » ; répète, et mêle au vin pur ce doux nom ; puis de ces fleurs, tout humides de parfums quoiqu’elles soient d’hier, en souvenir d’elle couronne-moi. Elle pleure, regarde, la rose à qui les amants sont chers, de voir qu’Elle est dans les bras d’un autre et non plus dans les miens. "
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"text": "Encha e mais uma vez, outra vez e mais outra diga « para Heliodora » e assim misture esse doce nome ao puro vinho.\r\nEstou mergulhado em um perfume que é de ontem, uma recordação dela, essa coroa que me orna.\r\nVeja, a amorosa rosa chora porque ela vê que aquela está alhures, e não em nossos braços."
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"text": "\n ἔγχει τᾶς Πειθοῦς καὶ Κύπριδος Ἡλιοδώρας,\nκαὶ πάλι τᾶς αὐτᾶς ἁδυλόγω Χάριτος.\nαὐτὰ γὰρ μί᾽ ἐμοὶ γράφεται θεός, ἇς τὸ ποθεινὸν\n οὔνομ᾽ ἐν ἀκρήτῳ συγκεράσας πίομαι.\n"
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"text": "To the Cup-bearer \n\nOne ladle for Heliodora Peitho and one for Heliodora Cypris and one for Heliodora, the Grace sweet of speech. For I describe her as one goddess, whose beloved name I mix in the wine to drink. "
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"text": "Une rasade à la santé d’Héliodôra-Peithô et d’Héliodôra-Cypris ; une encore à la santé de la même, une Grâce au doux langage ! Car je ne compte pas d’autre déesse qu’elle, et je veux boire son aimable nom, mêlé au vin pur. "
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"text": "Encha um copo pela Persuasão e pela Paixão de Heliodora e mais um pela doce Graça das palavras dela.\r\nMas ela é a única deusa inscrita em mim e beberei misturando seu desejável nome ao puro vinho."
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"url": "https://anthologiagraeca.org/api/scholia/urn:cts:greekLit:tlg5011.tlg001.sag:5.142.2/?format=api"
}
],
"comments": [
{
"url": "https://anthologiagraeca.org/api/comments/1261/?format=api",
"descriptions": [
"O modelo da comparação estabelecida no epigrama remete ao « ἀλλὰ τί πωλεῖς; σαυτήν, ἢ τὰ ῥόδα » do epigrama 5.81. Aqui, contudo, o epigramatista dá uma resposta. Vencedora é a rosa de Dionísio, não a planta que está na coroa de flores. \r\nEm relação à rosa -- ῥόδον,ου (τό) --, é interessante recordar que ela é recorrentemente utilizada como metáfora para os órgãos sexuais. Dioscórides emprega essa ideia, por exemplo, nos epigramas 5.54, 5.55, 5.56. O alexandrino, contudo, parece se referir a mulheres -- uma grávida em 5.54 e Dóris em 5.55 --, enquanto o epigramatista aqui está se referindo à rosa de Dionísio."
],
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"por"
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